Skrillex & Time

Had a very brief listen to the Skrillex album Recess and for all its atemporality it sounded very much 2011 to me, the best bits anyway. This had me thinking that perhaps time hasn't completely collapsed. Is there still hope that time will get back on track? Or is it just now we have different versions of the atemporal. Perhaps Skrillex just doesn't have the latest old influences. To be more now/not now (atemporal in 2014) i dunno maybe he needs a bit of disco, EBM, Gabba or_________(insert latest old trend) thrown in the mix. Then will that just date him to now though. Whichever way you look at it, it's still all dated. But it's more complicated than you think. Watch this space.....

Lamborghini Crystal's Better Than The New Stuff

After really diggin Helm's Silencer from last year I have to say Impasse their new reissue from 2008 is pretty disappointing. It just drones on in a very unoriginal manner. Where's the beats? Generic drone is happening now, well then and that was a while ago. Why? Who really cares? Clay Rendering's new 12" Waters Above The Firmament was described as recalling The Cocteau Twins, Cranes and Sonic Youth. Was this supposed to entice me or make me wanna throw up. How many more bloody bands are gonna sound like The Cocteaus or Sonic Youth? I think if I read an artist was influenced by Paul Young I'd be more likely to check that out. Hey I loved early Cranes, do I wanna hear someone rippin them off over 20 years later?

Is that JC Peavey in the corner?

I came across a couple of Lamborghini Crystal tapes I had not heard today. It's pretty easy to write off James Ferraro's work as ephemeral due to its abundance and his post Far Side Virtual slide into crapness. However there was once a time when it was very exciting to hear what his latest 5 albums were like. The releases from Lamborghini Crystal I already had 1992 Cool Runnings,  Alien Microwave, Draco Shop Bop Volume 1, Dial 747 Creepozoid and Roach Motel are all top notch. These were peaks in his ridiculous career that were the foretaste of his classic, probably greatest solo outing Night Dolls With Hairspray. Lamborghini Crystal was a duo though that also contained JC Peavey although he could very well be fictitious. Would I dig these two seven year old tapes now that his moment had passed and his reputation was dwindling? Fuck yeah because they're the biz.

Clock Tower Acid could have almost been released on GhostBox. Half of it sounds like early Belbury Poly crossed with later Advisory Circle. It's got a real Euro-library feel. Come to think of it, it might not even be him at all. It could be just some wholesale appropriation of a 70s synth artist. Anyway the other half is like a malfunctioning Ariel Pink robot attempting cartoon noise rock. To top it off it's all recorded on the world's most decrepit tape.

Smoking Out His Majesties UFO is an album that sounds like it was made by a band that only appeared on Z grade soundtracks of straight to video movies from the 80s.  This is a trip that is very not quite right, sounding like they'd dropped acid and recorded it in an amusement arcade. Side 1 is a particularly splendid slice of chopped up baby gonzoid electro space psych.

I am pleased to read on discogs there's 3 more tapes and that I'm still yet to hear. How long will it take to track these down?

Smoking Out His
Majesties UFO
(2007)

Ekoplekz - Unfidelity

It's always a good week when Nick Edwards aka Ekoplekz puts out a new LP or tape. This is probably Ekoplekz's most accessible record to date. His usual eerie electronic dub cluster-fuck is more restrained here, with a lot more space. His solo double LP Plezatoinz was perhaps the foretaste of this expansive direction but where those tracks were like 15 minutes long Unfidelity's are a third of the size and a lot more compact. His unpredictable clanky echoes and synth smears are mighty on this album. Melody is even lurking within some of these tracks. Atmospheres and tension are built to unprecedented soundtrack-like levels. It's still undoubtedly Ekoplekz though and his music is in no way diminished. In fact it is quite possibly more powerful. Wow you could even maybe dance to some of these tunes. Ekoplekz is still the sound of the wintry demise of capitalism, industry and time. Or is it just the sound of a man trying to manipulate his wayward machines? Analogue Twitch and the humidity of Coalpit Heath are pointing toward the day when Ekoplekz will make the perfect dystopian summer album. Unfidelity is the album of the year and it's only March.

It's Glam Party Time II....With Suzi Quatro

To be quite honest I don't recall this one from childhood. Maybe it wasn't a hit in Australia however I was only a toddler at the time. Actually it got to no. 4 here but the other 3 here were number ones. I think she was bigger in Australia than anywhere else, having hits long after this little run of gold.

To me these are the 4 classics that were released in succession. The next couple I didn't like so much (but others rate them). That's 4 classics though. The Buggles only managed one.

Mr & Mrs Z

I am so sick of having to desire Beyonce. Yeah Beyonce we know you're beautiful. Yep you've got a rockin bod there Beyonce. Very nice booty Beyonce. Yep junk, yep trunk, yep jelly. I see Beyonce's body more than I see my own wife's for Christ's sake. Maybe I won't have to desire her for much longer as her narcissism is starting to cloud my judgement of her external beauty. I pity her poor kids when they're older and they have to hear that Jay Z rap about movin Beyonce's knickers... sorry I should say panties to the side and something about her box. Come on Mr & Mrs Z your kids are gonna be in for a rough time if you keep this shit up. No matter how beautiful you are it doesn't matter you're someone's parents and hey that's gross.

Also Beyonce post Destiny's Child a little overrated? Yes.

Those Jay Z lyrics in full from Drunk In Love (Beyonce doesn't really strike me as a party girl. I can't really imagine her pissed)

[Verse 3: Jay-Z]
(I'm nice right now)
Hold up
That D'USSÉ is the shit if I do say so myself
If I do say so myself, if I do say so myself
Hold up,
Stumbled all in the house time to back up all of that mouth
That you had all in the car, talking 'bout you the baddest bitch thus far
Talking 'bout you be repping that third, I wanna see all the shit that I heard
Know I sling Clint Eastwood, hope you can handle this curve
Foreplay in the foyer, fucked up my Warhol
Slip the panties right to the side
Ain't got the time to take draws off, on site
Catch a charge I might, beat the box up like Mike
In '97 I bite, I'm Ike, Turner, turn up
Baby no I don't play, now eat the cake, Anna Mae
Said, "Eat the cake, Anna Mae!"
I'm nice, for y'all to reach these heights you gonna need G3
4, 5, 6 flights, sleep tight
We sex again in the morning, your breastases is my breakfast
We going in, we be all night

*Taken from AZLyrics.com

Child Z -  "Dad what did you have for brekky?"

Jay Z -  "I had yer mum's breastases."

Child Z -  "Of course you did dad."

Its Party Time With........Gary Glitter

This was originally a B-side dub!

The sound and vision here combine for a pop art masterpiece. The cameraman and director are unusually sympathetic to Glitter's art here.

What a run of hit singles. These were all released in a row starting in 1972 through to 73. What a nut job! Did people notice this at the time or just in retrospect? What about his hair? His dancing was fabulous. He comes across as very aggressive and quite unhinged really. I dunno if Gary was a laugh or   if people were scared of him. What more do you need from pop though? Fascinating. Outfuckingrageous! Gold!

*Up yours Sting.

I Like The Old Stuff Better Than The New Stuff

So far this year there's been 3 releases that have arrived but I hardly want to play them at all. Before I started my blog I had a renewed interest in all things current in music from like 2008 to pretty much the start of last year. The only things from the recent past still getting an airing are that Gesaffelstein album Aleph, which I just can't get enough of (the best album of 2013 I reckon) and the Logos album Cold Mission. My most played music of last year wasn't new at all it was Steely Dan in fact. This year its been T-Rex, post-Eno Roxy Music, 70s Bowie (is there any other?), Suzi Quatro singles, New York Dolls, The Runaways and The Dictators. Who can explain where your head is gonna go? Youtube is probably the most influential catalyst for my listening, not radio, tv or print media. In fact I haven't listened to the radio or bought a music magazine for six months. The occasional blog or website might put me on a path but its mainly my own brain that leads the way. Listening to Ultravox, Tubeway Army and the subsequent solo outings from John Foxx and Gary Numan makes sense. I can thank Genesis P Orridge for a renewed interest in The Hangman's Beautiful Daughter by The Incredible String Band and the discovery of Dr Strangely Strange's Kip Of The Serenes. He mentioned liking those recently on the interweb.

It's not lookin good for these 3 new records. I've skipped through Sun Araw's Belomancie and it seemed a little annoying so I dunno if I'll return to it? Sun Araw's Beach Head, Heavy Deeds, On Patrol and Ancient Romans are some of my favourite recordings of last few years. Cameron Stallones last LP under the guise of Sun Araw The Inner Treaty didn't really appeal but his collaboration with M Geddes Gengres and The Congos Icon Give Thank from 2012 was great.

I got a little excited by the arrival of Pye Corner Audio's Black Mill Tapes 3 & 4.  I dug the previous Volumes 1 & 2, Sleep Games and The House In The Woods (his side Project) LP Bucolica, but I don't even think I've played this new one all the way through yet and I've had it for over a month.

After these two underwhelming releases I wasn't expecting much from Kemper Norton's album Carn. Maybe there was no life left in the farmer in the city, gumboot industrial, rustic bunny blah blah but thankfully it sounds bloody great (after one listen) and this one I will be returning to right after listening to The Groundhogs Hogwash, Gary Glitter and DJ Extreme's Tom & Jerry Mix  of course....

Mommy Mommy Where's My Brain

Someone telling Nick Cave to shut-up, priceless. Who's this Johnny Public? I can't find anything about him, but I like his low fi Suicide-esque shtick. That AC/DC thing's good too. 

Toni, Alannis, Robin and Guy Chadwick

Where are they Now?

So it turns out Guy Chadwick can be added to the club that Toni Halliday (see previous post) belonged to. Guy was apparently some kind of failed new romantic before he gained credibility (whatever that means?) during the House Of Love's heady rise and quick demise in the late 80s/early 90s. I reckon Creation Records who the House Of Love were signed to probably tried to hush this up at the time.  I only heard about it the other day after watching that doco on Creation Records. This turned out to be mainly about Alan McGee. But I think one on Guy & Terry would be classic. Chadwick was terrible at drinking and drugs according to himself. One facet they failed to address in the film was all the unsuccessful artists (artistically and financially) McGee signed. That would make a very long list. Slowdive didn't even get a mention, I mean Noel Gallagher had to tell us one more time about all the drugs he's done and how awesome he is so what did you expect? Did anyone ever notice that Oasis were like a third rate version of the fabulous 60s band The Creation and that's what the label was named after? 

Here they are.

Shoegazers II - The Pale Saints

When I said in that shoegaze post that the Pale Saints had their moments that seemed a bit dismissive. I meant they had some superlative moments. The Pale Saints energy and dynamics were harvested to great affect on their recordings. Something about them was different from the Thames Valley bands. There was more to them than floppy fringes and stripe-y T-Shirts. They seemed just as informed by MOR and Wire as they were by My Bloody Valentine and The Jesus & Mary Chain. They had a vibe that was effortless and assured. Maybe they were just more talented than the rest and you felt like they could be stars because they were like real artists.

Hair Shoes with it's startling intensity, still sounds astonishing to this day. This is from their second album In Ribbons.