Deep in a rabbit hole on the youtubes last night I discovered this lost gem of psych tinged afrobeat from the early 70s. Some of these dudes were from Fela Kuti's 60s group Koola Lobitos.Position Pass Power is on the Shango Dance Band LP which was reissued last year.
I'm amazed that there is any undiscovered stuff from 70s Nigeria left after the massive excavation of the last 20 years. They made a hell of lot of great music in those parts during that era. I still haven't got around to listening to Now Again's Ten years in the making 4 LP compilation from 2016 Wake Up You: The Rise & Fall of Nigerian Rock 1972-77.I thought that was probably going to be the epic final chapter in Nigerian 70s archival sets but maybe not. Let's hope the gems continue to be unearthed.
I was aware of some 80s and 90s tv movies from America thanks to HSV7's The Midday Movie in Melbourne hosted by the late Ivan Hutchinson. To be honest I reckon Duel was the only 70s one I'd ever seen or at least remembered until recently. After checking out a lot of 70s British telly lately I decided it was time to investigate the American tele-movie of the 70s. The history of American made for tv movies is fascinating. In the 70s these films were big events that would get astronomical ratings figures. Then there's also this whole feminist angle of it as well with a lot of these movies being primarily targeted at ladies in the 18 - 49 demographic. These movies were often female driven with strong ensemble casts of women.
Amanda Reyes was instrumental in me undertaking this exploration. She is an American tv movie expert who originally came to my attention last year via the podcast world. She has featured as a guest on The Hysteria Continues and Supporting Characters but she has her very own podcast Made For TV Mayhem. Reyes has recently published the book Are You In The House Alone? Growing Up With Gargoyles, Giant Turtles, Valerie Harper, The Cold War, Stephen King & Co-Ed Call Girls: A Tv Movie Compendium 1964-1999. I keep hearing her pop up as a guest on different casts of pod promoting this book. Reyes is the most unpretentious academic I've ever heard. Her passion for tv movies knows no bounds plus she's incredibly knowledgable and articulate on the subject. Heaps of people know lots of stuff out there on the interwebs but most of them are really really fucking boring or are just plain horrible. Amanda however is a star with her infectious sense of humour and amiable personality.
Spoiler Alert! 4 From THE MADE FOR TV MOVIES Cannon
Night Terror aka Night Drive (1977)
Wow this was a great entry point into the genre. Valerie Harper plays Carol a meek housewife who is chased in her car across country by a psychopathic cop killer. The killer has no vocal cords and has one of those portable voice box devices that you put up to your neck when you need to talk. It rains a lot. Strange stuff happens on this harrowing journey. Night Terror's got creeps in petrol stations, weird drunk people etc. After an exhausting night on the road Carol reaches full transformation in order to survive the killer's last ditch attempts to eradicate her.
All movies should be car chases at night in monsoon like conditions!
Reflections Of Murder (1974)
I couldn't believe how good this one was either. I haven't heard Amanda talk about it but I'm sure she'd love it. It's set in a boarding school on an Island near Seattle. Three of its teachers are involved in a love triangle that goes awry more than once. Rainy atmosphere with lots of rain, actually come to think of it water is a ubiquitous motif here. There's a drowning in a bathtub, a body in a skanky swimming pool, a ferry ride etc. The two ladies are Joan Hackett and cult actress Tuesday Weld. The main dude in this is Jack McCoy from Law & Order...er....that's Sam Waterston. Reflections Of Murder comes with a twist.
The Victim (1972)
Elizabeth Montgomery is an icon of made for tv movies. Here she stars as Kate the sister of a missing person. A storm has has trapped her at her sister's strange overly furnished mansion. Where is her sister? Is she dead? Why is the maid so creepy? What's in the hamper? What's with the lying husband of missing sister? The power has gone off and the phone line is dead. It's raining a lot. Where's the dog? Will Kate survive the night?
Trilogy Of Terror (1975)
Karen Black stars in this famous telly movie anthology. We've got three separate stories here and Black plays different characters in each. The first segment where she plays Julie a college professor who is coerced into a sexual relationship by a student is very unsettling.
The most famous segment is the third one where Black's character Amelia is terrorised by a Zuni Fetish Doll that comes to life while she's on the phone to her mum. After a very entertaining battle Amelia eventually overcomes the crazy doll or does she? No rain in this as far as I can recall but there was satanic wallpaper. Trilogy of Terror tips into the comedy horror category.
1977
Gibbons this time does a proper remix as opposed to the cut & paste of 10 Percent. Mmm mm....that fuzz guitar is soo good. Pure magic sonic architecture for the head and the toes. All that space created is fucking sublime.
1976
According to Turn The Beat Around: The Secret History of Disco, Peter Shapiro's excellent 2005 book, this was the first disco mix released commercially on a 12". Walter Gibbons was to go from strength to strength in the remix department. Ten Percent was an auspicious start.
2017 just got a whole lot better. Ariel Pink has a new album Dedicated To Bobby Jameson due out in a couple of months. Something to look forward to.
Love the artwork. If you wanna know who Bobby Jameson was check out his blog. AP loves his LA mythology. It's a wonder Ariel didn't try and get him to do something for Pom Pom? Jameson would have fitted right in with Pom Pom's maverick LA contributors Don Bolles and Kim Fowley.
This video's from a couple of months ago. Tears On Fire is not on the new record, it was on the Ariel Pink & Weyes Blood collab EP Myths 002 which was released in January and I totally missed it.
Classic tune from his great Pom Pom(2014)LP. Never seen this video until today and it's amazing. I know I'm not paying attention but whatever. One of the best videos of the century so far. It makes me wanna drink cheep beer, have a ciggy and be weird.
While music hasn't exactly been floating my boat lately I've been getting into some small screen classics. It all started a while back when Simon Reynolds alerted me to Robin Redbreast. Robin Redbreast is a BBC Play For Today from 1970. This 76 minute telly film has been loosely aligned to the faux genre Folk Horror in recent years.
Folk Horror seems to have been coined by serious film people a few years after the hauntologists had been excavating the same area. So cult pieces of the hauntological puzzle have been thrown into this so called sub-genre ie. The Wicker Man (1973), Witchfinder General (1968) and Blood On Satan's Claw (1971). Then there's the tv side of things including the many MR James adaptations, Nigel Kneale telly scripts and a handful of Plays For Today including A Photograph (1977), Penda's Fen (1974) and Red Shift (1978). The hauntology taste makers also love their public information films, weird children's telly, sci-fi, recent televisual drama and much much more though.
The following 3 short pieces of television are distinguished and totally unforgettable. These horror stories are all about sinister landscapes, unsettling pagan undercurrents, malevolent spirits and oppressive rural atmospheres.
Robin Redbreast (Play For Today, 1970) Nuts In May and Abigail's Party are two BBC Plays For Today that have been long time favorites but I must admit I had not seen Robin Redbreast until recently. Hey there's only another 300 Plays for Today to catch up on (well whichever ones still exist). I couldn't believe how good this was for such an obscure film....I know the BFI released it on dvd 5 years ago but still.....
Norah a thirty something feminist city slicker heads to a remote cottage for a taste of bucolica after a relationship break up. Things are not what they initially seem though. Before long the idyllic country life starts starts to close in on Norah to a frighteningly claustrophobic degree. Her encounters with the local villagers become increasingly more creepy and detrimental to her well being. Robin Redbreast has been described as sitting somewhere between Rosemary's Baby and The Wicker Man thematically, who am I to disagree.
The Exorcism (Dead Of Night, 1972) The Exorcism is a play written and directed by Don Taylor that was included as part of the Dead Of Night anthology on BBC2.
A middle class couple who have just moved to the country invite their friends to Xmas dinner at their newly renovated cottage. It starts to get seriously freaky when the electricity blacks out, the wine tastes like blood and darkness becomes absolute. This play is an odd mash up of horror and political diatribe. It's definitely a product of its time, the horror is great but the didactic socialist message is heavy handed and embarrassing.
Whistle And I'll Come To You (Omnibus, 1968)
This is probably the most famous piece of film based on a MR James story. It's a tale of a bizarre and solitary academic. This aging professor's eccentricities have made him an awkward man. Professor Parkin goes on a seaside a holiday in the off season, staying in an isolated hotel where there are very few other guests. On a walk Parkin finds himself in a graveyard where he discovers a ye olde whistle. Blowing the whistle sets off an uncanny chain of events that leave Parkin a terrified mess.
Michael Hordern's remarkable acting performance as Professor Parkin make this one of the most memorable pieces of telly I have ever seen.
Honestly I think Ghost Of Hope by The Residents and Texas Rock Bottom from Rangers are the only 2017 albums that I've listened to. I haven't listened to one new dance tune, rap ditty or top 40 pop song. LPs I would have normally checked out from the likes of Gas, Shinichi Atobe, Actress, Sun Araw, Mark McGuire, IX-Tab, Children Of Alice, Lo Five, Omar Souleyman, Future, Migos, Arca, William Basinski, Second Woman etc. remain unplayed and unheard. I never listen to the radio and I no longer have a cable music channel so I don't know any new artists or pop stars. I no longer buy or read magazines. I hardly read the interweb music suff either. I've stopped reading my Boomkat (an online music shop) e-mails, I used to really like whoever wrote their copy despite it being advertising. The Feelies, The Jesus & Mary Chain, Ride, Royal Trux and St. Etienne have all reformed and recorded new records in 2017 apparently. Why don't I want to listen to any of this stuff?
This time I can't blame it on the music because I haven't heard any of it. I can't make stupid blanket statements like '2017 sucks' or 'This is the worst year in music since....' I'm afraid this disinterest is probably all about me. Is it age, depression or ennui? I don't know. Is it that the last few years in music have been so disappointing that I've had enough and am not willing to put in the effort and time for such little reward. I haven't listened to much old music either though, just what I've previously mentioned on the blog. So perhaps its choice paralysis. Has my blog become redundant? It was primarily set up to discuss music. If I'm not listening to any music is there a point? Maybe I need to start reading music magazines again.....and er....listening to music again. Both of those things are hard if you don't want. Ok I think I've disappeared up my own arse quite enough.
Ekoplekz have just released their new album Bioprodukt which I've just bought. That's a start but am I going to get the forthcoming Focus Group, Belbury Circle or Young Thug albums? Who knows? I'd like to want to but I just can't necessarily trust that I'll give a damn when these recordings are released.
I must admit I did listen to Slanted & Enchanted 100 million times back in the day. This tune still sounds pretty bloody good. As much as I now find Malkmus a tool, Perfume-V is undeniable. It's all about that great guitar sound innit?
The 'insect going through a vortex' guitar on this track is pretty cool too. These 2 tunes were the best and most outre on Slanted & Enchanted as I recall. There was also a bunch of stuff that was way too Mark E Smithy ie. Two States, Flame Thrower, Conduit For Sale etc. That's a bit of a shame because a lot of the guitar work was ace but it got let down by the vocal delivery. The thing is though, as the Mark E Smith-isms started to disappear so did the great guitar bits. They became lame immediately after this LP. Is this the exact point where underground/indie rock died? Or was it just Pavement who couldn't push forward (?).
It's funny how everyone knows who Pavement are but nobody's heard of Fly Ashtray. Fly Ashtray formed in NYC in 1983 but didn't release their first single until 1987. Clumps Takes A Ride is the 1991 follow up to their debut full length album, Nothing Left To Spill, which was a self-released tape from 1990. I don't think I ever saw a Fly Astray review outside of a fanzine. If you like your early Pavement check out Clumps Takes A Ride. The tracks on this tape (well I had a tape) were recored between 1988 and 1991 and issued by the Shimmy Disc label.
I guess a few more people would be aware of Thinking Fellers Union Local 282. Some of their LPs received good reviews including this gem that I still quite like. Lovelyville was another record from 1991 that got played a million times. It's a high water mark of early 90s underground noisy experimental art rock or whatever you wanna call it. I recall that their following 2 LPs were also good if not quite as mental as Lovelyville (haven't re-listened to those yet though). Unexpectedly Thinking Fellers Union Local 282 still have a mysterious charm. If the kids are checkin out Pavement and Royal Trux there is no reason they shouldn't be checking out these supremely elusive nutters.
I thought going back and listening to these 'lo-fi bands' was going to really tedious but I've really enjoyed listening to Fly Ashtray and TFUL282. I still dunno if I can bring myself to listen to Fantastic Palace or Trumans Water though. I fear that those records will not hold up like Clumps Takes A Ride and Lovelyville have.
Simon posted this article from December 1992 about grunge V lo-fi. Check the comments for a discussion on all things 90s alternative rock, indie, grunge, lo-fi, major labels etc. It made me want to check out Paw to see if their tune Jesse was any good. Last night I thought it was a little grunge gem (if such a thing is possible). Being so serious/angsty/yelly about a dog made smile. Jesse is way better than I remember.
This is a band we both don't recall. I'd never heard Slightly Under in my life until last night. I think this tune was released before they signed to a major label. These dudes were ex-members of a group called Scream whose drummer was one Dave Grohl (according to wikipedia). This could have been a hit with its generic Helmet meets Alice In Chains vibe.
Jesus I hated Helmet back in the day, just didn't understand the attraction. They just weren't as good as the bands they were obviously enamoured with ie. Killing Joke, Big Black etc. Enjoyed hearing this tune last night though. Was I deliriously over-tired? Nostalgic? Maybe time has just whittled away the youthful prejudices?
Speaking of groups I used to hate.......
*Bands You Once Hated But Now Don't Mind is a topic I shall return to soon.
