Twisted Mentasms

Keep It Coming (Dem 2 Twist Up Dub) - De Souza feat Marcell Duprey.
Holy Fuck this is a tuuuuune!!!!!!! This has to be one of the best records ever. I don't think I even knew these 2 tunes until the other day so they're new to me and they're fantastic. This one from 98's got subtle and slinky Mentasms. I can't believe how much I like garage now. I was certainly one of those guys who didn't get the paradigm shift. It didn't really matter because there was still loads of other types of music happening but then by the early 2000s even that had dwindled to a trickle. Never even heard of De Souza and according to discogs this was the only thing he did. Don't ya love that? Make an all time classic then skedaddle. Of course Dem 2 are always good. Did they do anything shite?

The Twisted Mentasm - Bizzy B.
Bizzy B man of many top tunes but this one totally passed me by. I'm wondering if there was a different version of this though but I can't seem to find it. Like Second Phase's Mentasm wasn't fucked up enough Bizzy B had to fuck with it some more in 1993. This is pure hardcore gold.

Mentasm - Second Phase.
Why the fuck not? Hey while I'm in the mood we might as well hear the most seminal rave track ever. What more can I say that hasn't already been said. Mentastic!!!

MENTASM 101

*Some people say my blog goes over their head a little. I guess I take for granted my knowledge & do expect a certain amount of pre-knowledge from my readers on the subjects discussed. Or I think 'hey they're on the interweb if they don't know what I mean, finding out is just a click away.' But people are lazy and will quickly lose interest. Anyway this is something I endeavour to correct. There's not much point preaching to the converted, or is there? There must be something in it as the same people go to mass each week. This would be a good essay topic. Anyway what I'm getting at here is that mental noise on Mentasm. When I say things like Mentasm Stab, Mentastic or Mentasms this right here is what I'm referring to-The tune Mentasm by Second Phase which was Joey Beltram & some other guy. It was released in 1991 on the legendary techno label R&S Records from Belgium in 1991. This sound became treasured and had to be had by every hardcore artist for the next few years in the 90s. It kinda actually was the sound of the 90s wasn't it? Hey it's even been back recently on some top 40 hits from the likes of Rihanna. I'm boring myself. Being a teacher must suck. Next week's class: The Hoover Sound.

Dolphin Jungle Part 2

Didn't know this Nebula II track from 93 at all till Simon pointed it out to me. Those first 2 records from Nebula II were so good I don't know why I didn't follow them beyond that point. There was so much happening in the 90s music-wise you didn't know where to look or what was coming next. There's another version I see there on the label which doesn't seem to be on youtube though.

The classic Bukem track Atlantis from 93 that needs no introduction. Been listening to so much obscure drum'n'bass that you tend to forget how good the main players were, early on anyway.

This Nebula II tune from 92 Flatliners isn't too dolphin e is it? Bit of Tone-Loc in there and a whole bunch of other stuff. Not heard this either...me like. 'ardcore!

Then there was this one too from Bukem, maybe it was on the other side of Atlantis no it was the follow up single. It's from 93 anyway. I recall enjoying this one. It must have been on a tape. God, maybe I'll get out some post-Rufige Kru Goldie.

Now this one is a crackin tune. I love that swallow/marine life (whatever the fuck it is) sample that I guess we all first heard on 808 State's Pacific State. I think I read somewhere that was just a standard sound setting that came with the ??? instrument. No one had to go searching for this sample on an obscure wildlife documentary. The beats on this are frenetic. A true fucking classic of Dolphin Jungle even if it's perhaps not as calm as some of the other tunes. I think this was Bukem's first 12". What a way to start huh?

Dolphin Tune - Aquarius

I'd heard this back in the day but didn't realise it was called Dolphin Tune. Is it really? Is this where the term Dolphin Jungle comes from? Is that even a term or do I just think it is? Or did it already exist so he was just taking the piss out of himself. I was a sucker for this stuff back then, the good tunes anyway, still am i suppose. This is a bewdy, I reckon. Perfect for my current headspace. It just seemed an unlikely hybrid that juxtaposition of ambient/new age and jungle beatz/choppage. Did someone say ambient jungle? The flip is fucking wicked too probably even better, especially if you get a couple of versions going at once like 40 seconds apart. When I first heard jungle I guess some time in 92 on RRR or PBS in Melbourne on a show called Roots, Ragga & Dub where they started having like monthly jungle specials, which I used to tape but those tapes are long gone, dammit! Anyway that's what I reckon they were doing playing the same track out of sync with at least two records possibly even more or other tunes entirely. It was like music being beamed into my crappy East Brunswick bedroom from a planet inhabited some super hyper spazzoid aliens. Don't let the fact that this is a Photek alias put you off. This isn't as methodical or detached as some his other material.

Forever grateful to the Professor of 'The Hardcore Continuum' Simon Reynolds who adds another contribution to my blog in the comments box:

"probably does come from that tune, but also Bukem was doing things like "Atlantis" and the whole sound of Good Looking / Looking Good is just aqueous isn't it?

there was 93 track by Nebula II on Reinforced called "Eye Memory' that actually has dolphin noises on it! The title is based on that idea that if a dolphin looks you in the eye, it'll never forget you."

I remember Atlantis but not sure I'm familiar with Eye Memory. Funds back in the day went mainly on gettin wasted so it was radio, tapes or clubs where you heard the music. Import 12"s were bloody expensive as were styluses. Loved those Nebula II trax on those Reinforced comps though.

Come Easy - Run Tings & Liftin' Spirits

Didn't Know this track until I bought that excellent Suburban Base Compilation last year. It just came up whilst I was on me pushy today. Gee there's some great choppage happening in there. Then you've got those strings which are just lovely and that quintessential female voice. Mmm.....me like a lot. Don't know anything about them except they, Run Tings, had a run of 5 or 6 records on Suburban Base. This did lift my spirits today. I don't know if it's like a split single deal or a collaboration. So I checked out the flipside (below) Invincible which is more your pure dolphin jungle but that's not a bad thing with me. I quite like it. There's a nice dark bit in the middle. It's hard not to resist that drummage, no matter how absurd and fusion e it is.

Steve Gurley/Foul Play

This one's is from 93. An all time classic no doubt. 4 horsemen was a Foul Play pseudonym. There's an unmistakable 4 Hero sample in there from Mr Kirk's Nightmare. The flipside We Are The Future is just as stunning.

This one from 92 co written and produced by Gurley and 2 High. Actually the other version Dub In U might even be better than this, might dig that out to compare.

Steve Gurley had a lot to do with 'ardcore and Jungle before he went Garridge. I'm pretty sure this was just him on the remix of Omni Trio's Renegade Snares (Foul Play remix). God I love Omni Trio. I never tire of them. They are a gift. What was it Kodwo Eshun said about Omni Trio? Something about them 'being so kind'. He's right they have been kind to me for creating such great music and giving me so much pleasure through the years.

UK Garage With Simon Reynolds

*
"Double 99 and Gant are just pure classic speed garridge. Deekline is sort of 2step turning into breakstep (breakstep really not a good development in my opinion, with a few exceptions - although he liked to call it Nu Rave, Deekline - sort of starts to merge into the nu skool breaks scene which you may nor may not recall - Rennie Pilgrem and others that my memory fails to dredge up. Stanton Warriors were the big breakstep act as I recall. But all of it -- speed garage, 2step, breakstep, proto-dubstep like Horsepower Productions, proto-grime like Pay As U Go Kartel, Oxide & Neutrino, and So Solid Crew - could be subsumed under the rubric "UK garage". Which runs from about 1996 in its earliest stirrings through to 2003-4 when grime and dubstep broke off as separate entities - so that's like an eight year period of great music and ferment in the UK dance underground, but also spilling into the charts. "I Don't Smoke" was a hit single."

*This was left by Simon Reynolds in the comments box of the previous post. Seeing as nobody clicks on the comments box I've put it here, hope you don't mind Simon.

As I've said, this is around the time I got off the Hardcore Continuum. I Don't Smoke went to number 11 in the UK chart for DJ Dee Kline in 2000, the year after it's original release. Horsepower Productions feature prominently in that J Rolla Proto Dubstep Mix with 3 tunes. Nu Rave & Nu Skool Breaks are familiar terms as I would have tuned into radio shows playing this music at the time but obviously got turned off by it. This is also around the time (99) I stopped going to clubs. I gave 2step a go but I just couldn't get into it. As far as Grime went I didn't hate it but I didn't love it (like I loved jungle) either, I guess that's indifference or at least tolerance, if it was within earshot. Having said all that it seems I'm open to reappraisals as some Speed Garage, 2step & Breakstep are now seeping into my consciousness in a very good way.

Oh Boy - Fabulous Baker Boys
This is a beauty from 97.

Destiny - Dem 2
Also from 97 and heading into 2step
.

187 Lockdown - Gunman (Original Mix)
This is a "Tune" from 97 as well.

Breakstep Questions Answered

Is this strictly speed garage though or more like something on the peripheries of speed garage?

This is a question I asked on the weekend, on this here blog, in regards to these tunes- DJ Dee Kline's I Don't Smoke, Double 99's RIP Groove and Gant's Sound Bwoy Burial. As if in answer to this Reynolds posts a bunch of I Don't Smoke remixes and calls it a breakstep classic. I wonder if this is a sub genre named in hindsight? Was breakstep a micro-genre post 2-step pre Grime? Perhaps it ran parallel to 2-step in the nuum.  Anyway there you go.

What about this one Soundscape's Dubplate Culture? It's got a bit of everything hasn't it? The micro-genre geeks must have had a hard time with this one. Whatever it may be, it's a classic.

Ha Ha Drake Mofos

Well here Drake sets us straight with what's up with his sex, drugs & Rap. Who knows what they're smokin though? It's not something I've probably even heard of, let alone seen, let alone smoked (getting old). Sex high on pot was always a pretty dodgy and preposterous proposition, usually completely out of the question, so I'm guessing it's not that.

On another tangent has anyone ever noticed some of Drake's trax are a lot like Burial. They seem to have remnants of the hardcore continuum scattered throughout, is that just me? Never read a review on him so I wouldn't know if people are hip to that. Burial could have produced Nothing Was The Same for all I know. It's probably just both artists using the same musical equipment and coming up with a similar feel despite being from different traditions. I must admit the only Drake tune I knew before listening to this album was this really bloody annoying video that was on channel V every 5 minutes. So I couldn't stand him. In fact I would switch the telly off if it came on. Sonically diggin this LP a lot. Dunno 'bout the words yet though. He doesn't seem very cool but hey that hasn't stopped Kanye being an erratic genius.