Alan Parsons Project - Sirius + Eye In The Sky

SEGUE SONGS PART 7 or 8 or something....

[1982]

Ok we're back to segue songs and here's one, well two, that I wasn't aware of as being integral to each other. I mean I know Eye In The Sky from the radio when I was 10. I didn't have the album though so I only realised it had an interlinked tune attached to it recently. Of course you have to get the album to experience the Sirius/Eye Of The Sky conjoined twins experience and once you've heard it like that it's wrong to hear one without the other ever again. 

This now goes into the Space Debris Segue Songs Hall of Fame along with other great tunes joined at the hip as previously mentioned like I'm Your Boogie Man/Keep It Comin' Love from KC & The Sunshine Band, Donna Summer's I Need You/Working The Midnight Shift, INXS' Face The Change/Burn For You, Palace Of Brine/Letter From Memphis by The Pixies and The Pale Saints' Sight Of You/Time Thief. I'm sure there's a million more. 

I was thinking you never hear this anywhere anymore in Australia but apparently in America the future synthwave sound of Sirius is well known because it is used a lot at professional and college sporting events and has subsequently been used in many ads and movies.

The Eye In The Sky single did not chart in Britain but guess what despite only making it to number 22 here down under it was unsurprisingly a number 1 in Canadia.

Boards of Canada - You Retreat in Time and Space

[2026]

This could be a lost Boards of Canada tune from the year 2000. I listened to the whole new album tonight. I'm not having the cargo cult/quasi religious experience some of these others are having. In fact some of the tracks downright sucked. I'm happy to stick with my BOC era as 1995 to 2005. I was only 26 in 1998 when Music Has The Right To Children came out and that was such a fresh and cool cd. And as previously mentioned Geogaddi released a few years later is the greatest cd of this millennium. You can't really replicate that era and feeling. However You Retreat In Time and Space is pretty good so there's that.

*This music opinion is subject to change in the future time immediately after this post is posted! 

Manchester City FC - Funky City

[1972]

Now for some smoov laid back funk from Manchester City FC. No actual strikers or midfielders or goalies playing on the instruments here, its actually the fellas from 10CC doing one v funky Meters-esque jam. 

Quite prescient as Manchester did indeed become a very funky city.

*Funky City was the b-side to Boys In Blue (see below)

[1972]

I'm Australian and haven't followed English soccer since the 90s and don't know a hell of a lot about it. Is this Manchester City's club song like in AFL where Collingwood have Good Old Collingwood Forever and they sing it after a victorious game and have done for eternity or is this just a one off novelty that probably got sung on the terraces in the 70s. Who knows?...

You'll Always Find Me In The Kitchen At Parties - Jona Lewie

Terry Dactyl & The Dinosaurs - Sea Side Shuffle [1972]

A novelty accordion led zydeco-y tune cashing in on Mungo Jerry's In The Summertime vibe written and performed by eccentric Jona Lewie.

You'll Always Find Me In The Kitchen At Parties - Jona Lewie [1980]

Here is Jona Lewie eight years later performing under his own name with his perennially overlooked synth-pop pub-rock classic. 

A record that sounds like nothing else. A one off.

I haven't heard this since the 80s but I guess somewhere in the back of my mind I thought this was a UK Squeeze tune. Did Squeeze have a song about a kitchen? Anyway my 8 year old brain wasn't that far off the mark as this is aesthetically somewhere between Ian Dury and Human League. 

Dejection to delighted all in the space of three minutes. The downbeat brown talk singing and dark synthwaves are evocative of drear times times in Britain but there are also bright shiny synths, hilarious lyrics, lovely female backing vocals and an upbeat change up in the song's story that counteracts the sonic despondency making this peculiar paradoxical tune totally irresistible. I mean its all a bit of a laugh innit. Look out for jaunty synth break in the song after he scores a bird in the kitchen at a party thus becoming chirpy, its mental.

"She was into French cuisine but I ain't no Cordon Bleu"

Rewind! 

Ron Robert - The Price

[1983]

This unknown synth country jam is pretty surprising as I don't think I've  heard anything quite like it. Outlandish synth and wide screen twangery in a new wave country folk style with a classic rock lead break. The Price sounds like its influenced by Wall Of Voodoo. Makes me wonder why nobody in the Hypnagogic scene ended up going down this path. This could have been the national anthem for synthwave country. Maybe there's a micro-genre that I just don't know about. 

*Virtually no info about this guy on the interwebs. This is the only video of Ron Robert's on youtube. He's not listed on Discogs or Rate Your Music however NTS has one sentence on him which tells me he self released this in 1983. I'm guessing he had an album called Elaine or single of which this was the b-side. Who knows? Then there's the unknown lady singing, who is she? The whole thing could even be fake. It's kinda cool to be this mysterious in the oversaturated digital information age.

Petula Clark - Don't Sleep In The Subway

[1967]

Our Lady of light entertainment with her pretty insane yet lovely slice of baroque pop. It's symphonic, it's pop, it's disjointed, It's cinemascope epic, It's post-Pet Sounds pop perfection. 

The disorientating Don't Sleep On The Subway, penned by songwriting legends and married companions Tony Hatch & Jackie Trent, is a high point in a career of many highlights for Petula. 

Gotta be one of the weirder tunes to make it to number one here in Australia. 

Brian Bennett - Chain Reaction

Brian Bennett - Chain Reaction [1978]

A strange yet beautiful journey into disco. Some funky shit right here folks. I wonder if this ever got played out. Before mutant disco, disco was already mutant making that future genre obsolete before it was invented.

Brian Bennett - The Investigator [1975]

Here's some of the coolest crime funk ever from the guy who played the drums in The Shadows. This library music jam turned up a few years later in the British cop show The Sweeney. 

Apache - The Shadows

[1960]

To get to Telstar you had to have this first. Still sounds sleek and modern, fucking great stuff. I'm wondering if there is a world of Shadows that I've missed out on. I know there's a wide wonderful world of drummer/composer Brian Bennett out there in theme tunes for sports shows, sit-coms, porno and crime dramas. He even played drums on some Walker Brothers and Olivia Newton John records as well as recording the space-age synth-disco-funk cult classic Voyage: A Journey Into Discoid Funk (1978). The other guys in the band though I know nothing about, I mean my old man had some Shadows records but I never paid them much attention. Was this their one great golden moment or...

Apache - Hot Butter [1972]

A year before Incredible Bongo Band made it their own Hot Butter did my favourite version of Apache. It's an outrageously futuristic proto-techno space age electro jam. Add N To X were never this awesome!

Telstar - Tornadoes

[1962]

Before the British Invasion Telstar rocketed up the charts everywhere. This was an even more modern invasion from the British Isles

I feel like Joe Meek must have gone "I really like the futuristic synth-y organ bit in Del Shannon's Runaway. So why don't we do an entire tune in this deliriously upbeat fairground anthem style but even more so." And Meek and The Tornadoes did and it was historic and we're still talking about it today.

A gift to seaside fairs, carnivals, sideshows and amusement parks across the world to this day.

Open Mind- Magic Potion (1969)

[1969]

THE scuzzy drug fuelled sound, the sonic revelation and ace riff-o-rama that preempted Black Sabbath, Hawkwind, Spaceman 3 and all your favourite things that have proto, neo & stoner at start.

A relentless rock'n'roll rocket!

Magic Potion: Yes Please.

Please sir, can I have some more.

Love Sculpture _ Sabre Dance

[1968]

Didn't know this tune til the other day when I began reading Will Hodgkinson's book In Perfect Harmony (2022). My dad had Dave Edmunds records, which I didn't hate, but he didn't have this one. 

This is a blast. The past, present and future all rolled into an energetic metallic rock'n'roll rocket of a space rock surf jam. 

Have I the Right · The Honeycombs

[1964]

Another rockin' pop tune with an unhinged quality. It threatens to go full mayhem but somehow its reigned in. Joe Meek does all sorts of studio trickery to make this insane and electrifying.

Stomping!

Number One in Australia and Canaidia baby!

Maximillian - The Snake

[1961]

The dude Max Crook who played the Musitron, an early synthesiser, on Del Shannon's Runaway did this instrumental that became a classic at mod discotheques and northern soul shindigs. Crazy funky sounds and hand clap-mania! 

Pretty cool. 

Del Shannon - So Long Baby

[1961]

We all love Del Shannon's debut 1961 seven inch single, the international smash hit Runaway but what about his nasty unhinged third single So Long Baby!  It is insane, relentlessly bitter, noisy, bizarre, gleefully spiteful and just brilliant. 

[1961]

Okay okay despite how many times you've heard it you really can't go past this instant slice of pop perfection where rock'n'roll met synthetic electronics for the first time. 

It's the toppermost fairground anthem and the ultimate jukebox selection. That mental space age musitron (a synth prototype) break is unmissable and exciting as is Del Shannon's vocal performance where he goes from rough'n'raspy to falsetto. The mysterious existential lyrics are set to an uncommonly euphoric tone making it the rave anthem of 1961.

Surprisingly still incredible. 

Tape 05 - Boards Of Canada

[2026]

Boards Of Canada - Tape 05

Gotta say, sounds better than anything on the last record which was pretty disappointing. Tape 05 isn't so much the idyllic or even the deliciously eerie Boards Of Canada sound, it's more on the ominous tip and then there's a harp! There's even a hint of anthemic post-rock here. I kinda don't even wanna contribute anything to the discourse because just shut up everyone, I hate all your dumb and boring opinions and speculations and theories and breakdowns and lame youtube channels. Sometimes I think half these twits are just marketing nerds in it for the obscure advertising campaigns... 

In 1998 they were my private electronic duo. Maybe I want it to be just like it was in 1998 when my mate, an electronic music fan, a so called aficionado, didn't even care or buy the cd after I told him Music Has The Right To Children was the best thing in its field since Quique or Selected Ambient Works Volume II and the best album of the year. Astonishingly it didn't make Wire Magazine or Melody Maker's top 50 albums of 1998! Simon Reynolds didn't even review it. I wasn't ever on the bloody internet so I was oblivious as to whether dorks were on there talking about it or not on their message boards and what not... so Music Has The Right To Children was my private little joy. It was just me, my discman and the glinting memory-delic Boards Of Canada with their oscillating off-pitch analogue synths and hypnotic beats. Glorious.

Smokes Quantity [1998]

The sound of my malfunctioning brain trying to conjure meaningful long lost memories but only getting nostalgic glimpses of a sci-fi wildlife documentary from the 70s I probably didn't star in as a child then again...

Dion - He's Got The Whole World In His Hands

[1975]

A lo-fi decelerated tape woosh of drug fucked suffocating wall of sound gospel so off colour, desperate and deranged it'll make you forget that you hated this song before this version. 

Delirious wonky pop genius.

Play it again Sam!

(I Was) Born To Cry - Dion

[1962]

One of these tunes you can't believe was hidden away on a b-side to an inferior track on the A side. What a blast. The entire production is an exercise in restraint of the looming mayhem, incredibly unique. Dion was such a great rock'n'roll singer and here it's all about being emotionally overwrought in the face of his existential predicament and somehow he doesn't make it suck and then there's that creepy sax that then bursts through for some sleazy sax-a-matazz and what going on with the deranged blokes doing the all over the shop backing vocals. 

Genius.

Cult classic baby!

I LOVE HOW YOU LOVE ME ~ The Paris Sisters (1961)

[1961]

This song is so specifically influential on Jullee Cruise it's hard to not remark upon it, see what I mean. Californian gals Priscilla, Sherrell & Albeth Paris do a Barry Mann & Larry Kolber tune recorded by Phil Spector. A woozy slowed down doo-wop trip out with dreamy strings, seductive intimate vocals and a sultry spoken bit all basted in a thick syrup. So much purity and innocence amongst the wanton lust. 

Squeeze me tease me...

Bits & Pieces III "Let's Do It" More Of The 80's Medley

[1980]

Party time people!

Stars On 45 ripped off the Beatles section of this great bootleg 12 inch from 1980 for their chart topping proto-mash-up international hit. This mix put together by Canadians Michel Ali, Michel Gendreau and Paul Richer is the original songs edited into an awesome mega-mix for a fifteen minute funky dance floor knees up.

Get down.

Ritz – I Wanna Get With You

Madness– One Step Beyond
Young & Company– I Like (What You Are Doing To Me)
The Gap Band– Baby Baba Boogie
'Lectric Funk– Shanghaied
Kano– It's A War
Spinners– Cupid
Spinners– Working My Way Back To You
Gino Soccio– Dancer
Sparks– Beat The Clock
Carrie Lucas– Keep Smilin'
Lipps, Inc.– Funkytown
Heatwave– Boogie Nights
GQ– Disco Nights (Rock-Freak)
The S.O.S. Band– Take Your Time (Do It Right)
Sparkle Tuhran* & Friends – Handsome Man
The Buggles– Video KIlled The Radio Star
Shocking Blue– Venus
The Archies– Sugar Sugar
The Beatles– No Reply
The Beatles– I'll Be Back

The Beatles– Drive My Car
The Beatles– Do You Want To Know A Secret
The Beatles– You're Gonna Lose That Girl
The Beatles– Nowhere Man
The Four Seasons– Sherry
Everly Brothers– Cathy's Clown
Neil Sedaka– Breaking Up Is Hard To Do
Roy Orbison– Only The Lonely
Penny McLean– Lady Bump
Wings – Silly Love Songs
Martha Reeves & The Vandellas– Jimmy Mack
The Fortunes– Here Comes That Rainy Day Feeling Again
Brian Hyland– Itsy Bitsy Teeny Weeny Yellow Polka-Dot Bikini
Electric Light Orchestra– Last Train To London
Ringo Starr– The No-No Song
Fred Wesley & The JB's– Doing It To Death
The Edgar Winter Group– Frankenstein

*Youtube usually hits these videos with copyright claims but for some reason this particular upload of Let's Do It doesn't have The Beatles tunes edited out.

Eagle · ABBA

[1977]

A pinnacle of 20th century pop. Say no more.

...but someone on the internet pointed out the obvious. The below tune's synth line was inspired by Eagle. How on earth did I not see this until now...

[1981]

A pinnacle of 20th century pop. Say no more.

...but someone on the internet pointed out the obvious. The above tune's synth line was inspired by Eagle. How on earth did I not see this until now...

Compare the pair.