Umberto Lenzi Movies For Halloween

Watch Eyeball in tribute to the late great Umberto Lenzi. Ocular violence is probably my biggest fear so this gets to me despite how funny the whole movie is. It's very disturbing to me.



Lenzi did like 7 or 8 Gialli and Spasmo is his most triumphantly mental. Just go with it and forget about a cohesive narrative for the duration. I'm sure you'll enjoy it. There's actually a better version on youtube Posted by Giallo Realm which won't embed here. So maybe search for that one. Happy Halloween.

Halloween

Friday The 13th goes to an early 80s disco, 1982 to be precise. Love that synth bass.

Remember when Howard Shore was awesome? Particularly when he was scoring for Cronenberg.

Ambient to noisy electronic delirium and back again.

Francois De Roubaix was a French film composer. I think his mind was quite free of constraints when it came to making music. You can hear it all here in just 3 minutes. He covers a lot of ground but it doesn't sound forced or shoehorned, it's just wonderful. As far as I can tell only two tunes from the soundtrack to the 1971 Belgian film Daughters of Darkness were ever issued. Les Dunes d'Ostende was on one side of a 7" released by French label Barclay.

Keeping with the horror theme, De Roubaix died in his mid 30s in an accident whilst diving off The Canary Islands in 1975. He is pictured on the cover of one of his compilations in scuba diving gear which I thought was rather macabre.

HORROR MOVIE PODCAST - FACULTY OF HORROR
If you can get past how impressed this duo are about their scholastic achievements and are a horror movie fan this could be a podcast for you. The hosts Andrea Subissati and Alexandra West take an analytical look at one or two films per episode which are thematically linked. They've covered ye olde classics like Night Of The Hunter, Witchfinder General, Black Christmas, The Exorcist, Texas Chainsaw Massacre, Shivers, Halloween etc. Plenty of 80s and 90s movies like The Shining, Sleepaway Camp, Friday The 13th, Fright Night, Gremlins, Lost Boys, The Crucible, The Crow & The Cube have been featured. Films of the new Millennium are not shied away from either, like they are in many other casts of pod. Wolf Creek, The Loved Ones, Elle, The Descent, Trick'rTreat, Calvaire, Martyrs, The Babadook, Cabin In The Woods & Drag Me To Hell have all been picked apart by the faculty. Alexandra West wrote the book Films Of New French Extremity and has a new book due soon about 90s teen horror.

I've never seen this movie but it's apparently a cross between Carnival Of Souls and Messiah Of Evil. Which sounds like it would be right up my street. The full version on youtube is unwatchable but it was issued by Arrow on dvd & blu-ray last year though. Looking forward to tracking it down. 

Movies Part III

The first 4 were good but this...

MOVIES I COULDN'T SIT THROUGH (ie. Wasted time & money renting these. Why do I torture myself trying to watch all this shit. Well I kinda don't anymore, only sometimes. Thank God)

Drive (2011)
Tediously dim plus am I the only person who thinks Ryan Gosling is dull as fuck?

Scott Pilgrim V The World (2010) 
Who cares?

American Hustle (2013)
What a load of shite.

The Curious Case Of Benjamin Button (2008) 
OMG! Worst idea for a film ever.

Cabin In The Woods (2012) 
"It's so way out and meta, man."

Phone Booth (2002) 
Does anyone actually like the actor in this phone box?
  
This Is 40 (2012) 
The worst characters in a film ever played by the most unconvincing actors I've come across.

February (2015) 
No atmosphere or tension. 23 minutes in I couldn't have cared less what happened to these characters to continue watching.

King Kong (2005) 
Sleepy time.

Berberian Sound Studio (2012) 
Fuck off with your pretentious fake giallo homage!

The Wicker Man (2006) 
Nicholas Cage or Keanu Reeves: Who's worse?

Oh Brother Where Art Though (2000) 
"So quirky & unusual, man. Oh and I just love the soundtrack. Country music's so interesting."

I'm Not There (2007) 
I'm so not there. Never will be.

Horrible Bosses (2011)
Horrible movie.

Bad Teacher (2011) 
Bad Movie.

Friday The 13th Part 5 (1985) 
I got maybe a third of the way in when I realised this was so bad...it was just bad.

The Road (2009) 
I love sleep.

27 Dresses (2008) 
Got about 9 minutes into this.

Studio 54 (1998)
eww

The Thin Red Line (1998)
So much sleep to get here.

Waterworld (1995) 
The great snooze-fest continues. Maybe this isn't that bad but I just can't make it through without at least 3 naps.

Gods & Monsters (1998) 
Bad acting and a bad script = Oscars.

Noah (2014) 
WTF? Can you believe this guy had actually directed several good films before this one?

Hilary & Jackie (1998)
omfg..... 
Banger Sisters (2002) 
So Fake.

Jacob's Ladder (1990) 
I think I was supposed to be intrigued. I was intrigued by what another sleep would be like.

Mars Attacks (1996) 
Looking at the inside of my eyelids was infinitely more interesting than looking at this picture.

Demons (1985) 
Some film buffs recommend this. Why? I got maybe 12 minutes in and had to call it. "But Dario Argento co-wrote and produced it."  Big woop.

The Dorm That Dripped Blood (1982) 
Didn't care enough about the characters to see what happened to them in the end, well I hope they all died and there was no final girl.

In The Realm Of The Senses (1976) 
"Incredibly deep and meaningful Asian porn" with the worst soundtrack ever.

5 CLASSICS STARRING JULIE CHRISTIE
Don't Look Now
Demon Seed
McCabe & Mrs Miller
Petulia
Billy Liar

NEVER SEEN
American Graffiti
Empire Strikes Back
Anything directed by Rob Zombie

MOVIES I SURPRISINGLY DIDN'T HATE
Knock Knock (2015)
Director Eli Roth comes across a such a tool but this could have been a major cult classic if they had cast a good leading man but hey, they got Keanu Reeves and he cannot act. The two leading ladies are fantastic though. Really good story, I thought. Wasted opportunity.

The Revenant (2015)
A bear V past his prime Leo, who would have thought entertainment would ensue?

Drag Me To Hell (2009)
Sam Raimi had made maybe one good movie since Evil Dead so I definitely was not expecting this to be good or even ok or even a bit less than ok.

The Black Swan (2010)
Expected this to be a very boring chick flick. Are you allowed to say that now, boring?

Dallas Buyers Club (2013)
McConaughey hadn't been cool for like 20 years then...

Bad Neighbours (2014) 
Gotta love Rose Byrne. She's the best comic actress of our time.

The Notebook (2004)
Thought this was gonna be the worst pile o shite ever but I didn't hate it. Hey it's got fucking Gena Rowlands, the greatest living actress.

Killer Joe (2011)
Elderly directors usually don't make films you wanna watch. All film directors should be shot by the time they reach 50. Most of today's young directors should be rounded up and massacred immediately!

The King's Speech (2010)
The fucking royal family can go fuck themselves. Why isn't Australia a republic? Anyway this was alright with all the actoring and stuff.

The Passion Of The Christ (2004)
It had been over 30 years since Mel was involved with a good movie. So for this to be a classic is rather astounding. Yeah I know he's an arsehole but he might be a genius. Does that make him a genius arsehole?

Death Proof (2007)
Tarantino is the most overrated, unimaginative and derivative film maker of our time yet he thinks he so fucking great. My god he finds himself oh so interesting and clever. He started out with three good films and it's been all downhill ever since. Nobody recommended this one but I like.

I Still Know What You Did Last Summer (1998)
I think I saw this late one night on telly. Maybe I was wasted but I thought it was a good cheesy slasher.

Dressed To Kill (1980)
Never liked a De Palma movie in my life but this was a good laugh.

Young Thug

I totally slept on this one from Mr Thug in 2017. He still has greatness within him. I mean, I quite like the new album he's done with Future Super Slimey and now I'm going back to Beautiful Thugger Girls, which is sounding better by the minute. Not that I ever gave that album much of a chance. While he's not as astonishingly surprising, as he was say four or five years ago, he's still remarkably unique. Young Thug is probably for me the best thing vocally in the 2010s. Someone asked a question a while ago, at maybe Dissensus, on who is the most innovative musician of the the 2010s and I had a few ideas but this guy is surely the most idiosyncratic vocal talent of the last five or six years.

An amazing thing is that nobody's come up with a literary way to describe what it is (as far as I know), which is good. I'm actually trying not to come up with an easily describable term for what he does because then he will just become describable by that little phrase that someone comes up with. I do half wish I could put it all into words but it's a struggle. I find writing about music, sonics and their evocative nature comes a lot easier. There was someone who once wrote about Bob Dylan and all his vocal changes over the years, maybe they could do it. I kinda can't see an old Rolling Stone/Creem type of writer being seduced by Young Thug but you never know though. One thing is that Young Thug's vocal science is all organic as opposed to fucked with in the studio or by a computer/phone/autotune. Does this make him some sort of roots artist? Sure his voice has also been fucked with by technology too but he could survive without it. Thug has invented a whole new language/syntax in vocals and singing. At this moment he is just mercurial....

Super Slimey - Future & Young Thug

This actually has me excited about music in 2017. I hope it lives up to at least half of it's potential. I love this years records from The Residents, Laurel Halo and Rangers. Only two other LPs have had me in as much excited anticipation as this recently announced collaboration between Future & Young Thug though. They were the 2017 releases from Ekoplekz and Ariel Pink and I just haven't ended up in the blissful places that I thought they might take me (yet). So hopefully this combination of the worlds two best rappers will come through with the goods. It's a gutsy move from Future though, as Young Thug usually upstages all in his path. Thugger lifts his game on collaborations (ie. Rich Gang & Black Portland)! On an initial listen it sounds really fucking good. Way better than Beautiful Thugger Girls and perhaps as good as HNDRXX.

Mike Will Made This....

Rabbit Hole Part 2 Featuring Michael Hutchence, Flame Fortune, Troy Davies etc.

Now Flame Fortune is a forgotten footnote in Aussie Pop Music history. I always thought writing a book or at least a long form article on her life would be an interesting prospect. She was from LA and the above tune was produced by Michael Hutchence. Sex Symbol was recorded with an amazing Australian supergroup that included members of INXS, The Models, The Divinyls, Australian Crawl and The Angels. You would have thought 'How could this not be a hit with that kind of hit making pedigree behind her in the studio?' She appeared on the cover of Countdown magazine sometime in 1985 (I had that issue) when this single was released. Strangely enough the dude in the video is Troy Davies, the subject of the previous post. So it turns out he was everywhere in my pop cultural 80s but I just wasn't aware of who he was. It's kinda funny how not raunchy she is in this video compared to say Madonna or Vanity and later sex pots Britney, Beyonce & Nicky. I guess it's closer to new wave-y like maybe Berlin than those recent absurdly sexually athletic stars who are quite often not sexy at all.

So it turns out that Fortune was supposedly only 14 or 15 in the Sex Symbol video which was directed by Richard Lowenstein (Of Dogs In Space and Autoluminescent fame). This is definitely not true. She wasn't actually born in 1971 and was born in either 1969 or most likely in 1962 (as some articles state). I have a recollection that her and Michael Hutchence had a fling, maybe that was just a rumour.

Anyway to a 14 year old me, I thought she was pretty weird because she had this whole God/Sex dichotomy thing going on. I wasn't really aware that this was a staple personality trait in pop ala Little Richard, Al Green, Prince etc., at that stage of my life. The single flopped and as far as I can tell there was no follow up album. Fortune soon disappeared from the pop universe without becoming the star she thought she should have been. Six years later she was allegedly  murdered back in LA. Some information claims she may have committed suicide. It's all a bit sketchy. I can find little more information than this about her tragic life.

*Someone with time and money to do the research into this mysterious story will now have a fantastic Rolling Stone or weekend supplement article to write. Or if someone wants to make me an offer feel free to leave your details.

Rabbit Hole Featuring Michael Hutchence, Richard Lowenstein, Troy Davies etc.

There was a documentary on Michael Hutchence last night on telly. It led me down this strange rabbit hole of half remembered videos and collaborations. I have a vague memory that perhaps Speed Kills was in conjunction with Cold Chisel's Don Walker for some kind of soundtrack which appears to be the 1982 Australian flick Freedom. What about that fabulous hair?

This video appearance from Hutchence in Eccohomo's Motorcycle Baby was a late night staple of late 80s Aussie music tv. At the time I just assumed it was another Hutchence collaboration with Ollie Olsen. I think I was half right, but it's a Troy Davies project. He's the dude in the beanie and the woman on the back of Michael's motorbike. He was an actor, artist, Sharpie, drag queen, man, woman, some kind of performance artist and much more.

Admittedly I knew fuck all about Troy Davies until tonight but I think he makes an appearance in this film clip as well as being part of the film crew. He was a friend and a colleague of film and video clip director Richard Lowenstein. Talking To A Stranger is a 1982 Aussie post-punk classic from Hunters and Collectors. The Avalanches would remix this as Stalking To A Stranger 30 years later.

This sheds some light on Peter/Vanessa/Troy Davies.

More light shedding. Apparently there's a documentary on Davies, Ecco Homo, directed by Richard Lowenstein and Lynn-Maree Milburn. This was screened at the Melbourne International Film Festival in August 2015. Having moved away from Melbourne in 2013 I totally missed that. So while all this stuff is news to me tonight all you Melbourne hipsters probably know all about it, whatever. More info.

More On Movies

7 MELBOURNE FILMS
Dogs In Space (1986)
I resided in Richmond, where this picture was filmed, for many years. People still make pilgrimages to the Dogs In Space house. I drove past it once...er...it's just a house.

Malcolm (1986)
A whole lotta Melbourne in this one. Collingwood, Flemington, Kew, Thornbury, South Melbourne & The Central Business District. The titular character Malcolm works for Melbourne trams. I first saw this at that cinema in Balwyn when I was a kid visiting Melbourne.

Romper Stomper 1992)
All I can remember is Richmond Train station and scenes in Footscray but there's probably a few other locations.

Death In Brunswick (1991)
The old Bombay Rock Club in Sydney Road and that theatre in Coburg are the two locations I can recall. I lived in East Brunswick for almost a decade in the 90s before it got taken over by hipsters in the new millenium. The Lomond used to have lesbian country bands, The East Brunswick Hotel was v dodgy. There was a good video shop on the cnr. of Albert & Lygon. Maybe Mark Hartley worked there...is that right?

Chopper (2000)
Locations include Pentridge in Coburg which had closed down by then and Bojangles car park in St. Kilda which I'm sure didn't exist by that stage.

Patrick (1978)
Shot in East Melbourne, Brighton, Prahran, South Yarra and probably more. I used to know which number tram was in the film but I've forgotten.

Ghosts Of The Civil Dead (1988)
This was made in Melbourne but it was set in the middle of nowhere, adding to the eerie vibe. It's not for Melbourne-y location trainspotters really.

MOVIES I KNOW I'VE SEEN BUT CAN'T REMEMBER A SINGLE THING ABOUT THEM
Jaws (Well it had a shark)
The Babadook (Dunno what it had. I assume a babadook, whatever that is)
Subway
Friday The 13th
Serial Mom
The Parallax View (Well it had a Warren Beatty)
Shampoo (A Beatty, a Christie and a Hawn)
Donnie Brasco

FILMS I'VE NEVER SEEN
The Titanic (Do I need to see it? I hear it's not bad)
Beverly Hills Cop (As above)

GOOD OR BAD? I DUNNO
Eyes Wide Shut
Moulin Rouge
The King Of Marvin Gardens (Sometimes Jack Nicholson just gets on me tits!)
Death Wish
My Bloody Valentine
Barton Fink
In The Mouth Of Madness
Traffic
Death Bed
Spring Breakers

7 FROM THE 70s FROM ELLIOT GOULD. Surely he's THE ACTOR of the 1970s.
The Silent Partner (Perhaps the most underrated movie of the 70s)
California Split (Obv.)
The Long Goodbye (Obv.)
Little Murders (This has to be the weirdest film Gould ever did)
Busting (Gould stars alongside alleged non murderer Robert Blake)
Getting Straight (Best Gould Performance?)
The Lady Vanishes (Great chemistry between Gould and Cybil Shepherd)

RECENTLY WATCHED 
Night School (1981)
Pretty good. Sort of a Giallo made in America.

Death Wish (1974)
Did I need to be 14 to enjoy this or maybe another human entirely? Worth it for the wtf scene where someone spray paints a bare arse. A historic moment in cinema to be sure.

Popcorn (1991)
Good ideas and production values but not quite executed to its full potential. A definite curio though for people interested in the Slasher continuum.

Get Out (2017)
??? ZZZZZZ

IT (2017)
Pretty good. The kids in the cinema seemed to like it, it's a kids film innit?

Gerald's Game (2017)
Such a naff ending it ruined the rest of the film which was probably only a 5 out of 10 anyway. Don't waste your time on this one.

I THOUGHT THEY WERE DEAD, BUT THEY'RE NOT
Peter Fonda
Tippi Hedren
Gena Rowlands
Kirk Douglas (Surely that is not correct)

Gabba

I was thinking the other day 'We've been waiting for some kind of gabber recommencement since 2016 flipped into 2017 but nothing's happened.' I guess the scene has probably continued on in the same way that drum'n'bass still exists. What I really mean is that gabber/doomcore/gloomcore godfather and legend Marc Arcardipane hasn't resurfaced as far as I can tell (not that I've really looked). In the 90s Arardipane had this logo on many of his releases See You In 2017. 

Here are some dudes (below) with the historical knowledge of gabber giving it a retro-gabba crack (Via Energy Flash).



I wish this lecture (above) was real and was going to continue on for another 45 minutes. The track by DJ Balli & Giacomo Bella ChickenFIAT that was posted at Energy Flash is fun but hardly revelatory, hey what is these days?



God I love that thick squally synth sound! Rotterdam Terror Corps were mentioned in that above trailer.



Hardcore



70s rock (Queen samples, traces of Sabbath riffage in the synth) influences in 90s Hardcore!





A Cold Rush. Atmos-Fear was recorded several years earlier than the other above tunes. This is Marc Arcardipane & Marc Arcardipane ie. he is The Mover & The Rave Creator. This is the true soundtrack for 2017.

It's 2017?
Where are you Marc?

Nadir

I took a screen shot of this from maybe pitchfork a month or two back because I thought it was hilarious and depressing. I'd rather hear The Venetians cover Noiseworks. It's really hard to come up with a combo that is worse. Suggestions most welcome.