Tuesday, 24 January 2017

RIP Jaki Liebezeit



CAN - EGE BAMYASI
Krautrock's sonic Goliaths 3rd studio album proper is their most pop affair. That's not to say there aren't any outré experimental moments though. This is Germanic telepathic polyrhythmic psychedelic rock 1972 stylee. Can had a top ten single in Germany with Spoon taken from this record. Kanye West even appropriated Sing Swan Song wholesale for his tune Drunk & Hot Girls in 2007! - Tim 'Space Debris' Rutherford *

*(Old blurb review I did for a website)



The first Can song I came across was this in cover version form by The Jesus & Mary Chain!

Everyone's doing a bit on Jaki so I'll keep it short and personal. In my book he was the best drummer ever closely followed by Tony Allen. If Can didn't have him they simply wouldn't have been Can. You could say that about all the instrument players in the Group, I guess. They had the synergy, They were synergy! I also enjoyed Liebezeit's drumming on other projects though. He often played on fellow Can members solo records as well as with other great artists like Michael Rother, Eno, David Sylvian, Jah Wobble, Pluramon and Burnt  Friedman.

I think the last time I heard him was in 2013 in collaboration with Burnt Friedman on their 5th instalment of Secret Rhythms. He still had it on Secret Rhythms 5 and I thought he would just go on infinitely like his style often conjured.



How can you choose just one tune from Future days? They all belong together in this sequence. Is this the most cohesive LP ever? Well perhaps you could say that about Monster Movie, Tago Mago, Ege Bamyasi and Soon Over Babaluma as well. The tunes on Future Days feel like 4 movements of the one piece.


This blows me mind every time! I could keep on posting Can songs, particularly everything off those aforementioned LPs...... RIP Jaki Liebezeit.

Sunday, 1 January 2017

2017 with Marc Acardipane

WE HAVE ARRIVED IN THE PHUTURE



These first two are on the same record from 1990!!!



From 1992 this is a one sided LP.



A classic from 96. A pretty ominous title right there and a rather fitting sound for now doncha think?

Of course these are all Marc Acardipane aliases and that was an alias for Mark Trauner. Marc was THE German producer of hardcore techno/gabba/gloomcore from 1989 onwards, more like a genre unto himself! Acardipane must have had over 100 pseudonyms and trying to collect his full back catalogue must be a futile task but it would be kind of heroic if you had them all. He had a big thing about 2017. I'm not really sure what it was, can't remember if I ever knew, but perhaps all will be revealed this year. On his record sleeves he kept saying See You In 2017. Surely he's gonna make a comeback and be as big as Beyonce....well it's a nice thought anyway. Perhaps It'll just be the end of the world as we know it and Acardipane will feel fine.

Thursday, 22 December 2016

Best Of 2016 - Part II


LONG
Professional Sunflow - Laraaji & Sun Araw
Caramel - Konx-Om-Pax
Rock To TN34 - eMMplekz
Strands - Steve Hauschildt
Creaking Haze & Other Rave Ghosts - Assembled Minds
Purple Reign - Future
...presents The Mechanical Abrasions Of (Volumes 2&3) - Ashtray Navigations
Toll - Kemper Norton
2845 - Convextion
Blackstar - David Bowie
Club God 5 - Beatking
Colour - Katie Gately
Pacific Image - Hybrid Palms
Lodestar - Shirley Collins



FENCE

I, Gemini - Let's Eat Grandma
Sometimes I think this is a fantastic missing link between Kate Bush, Grime and god knows what else, other times I just wanna smash the stereo in.
Jeffery - Young Thug
Some good tunes here but something about the production is not quite right....but it's good though...I think... maybe it's still growing on me.
Borderland: Transport - Juan Atkins & Moritz Von Oswald
Classic intersection of Detroit techno and 90s Berlin dub-tech or a bunch of old geezers playing music for the electronic music preservation society?

WTF?
Islah - Kevin Gates
His mixtape run up to this, his major label debut, was unsurpassed. What happened?
New Ways Out - Belbury Poly
Their previous 4 records were very good, this however.....
The Life Of Pablo - Kanye West
I listened and listened again but I'm sure there's only two good songs here.



ARCHIVES
Close To The Noise Floor (Formative UK Electronica 1975-1984) - Various Artists
No Cabs, Numan or Depeche, but hey you've heard them. Have you heard Third Door From The Left, We Be Echo, Storm Bugs or 5XOD?
The Emperor's New Music - Gerry & The Holograms
Even unplayable art prank 7"ers are getting reissued. Why not?
When A New Trick Comes Out I Do An Old One - Moon Wiring Club
A 3 cd compilation of archive material from Hauntology's finest. 
Venezuela 70: Cosmic Visions Of Latin American Earth-Venezuelan Experimental Rock In The 70s - Various Artists
Soul Jazz Records go in search of further afield South American sonic delights.

TELLY

Fleabag
Atlanta

Sunday, 18 December 2016

Best Of 2016


CHOONZ
Pick Up The Phone - Young Thug & Travis Scott feat Quavo
Purple Reign - Future
Perky's Calling - Future
The Face In The Mirror Is Not Mine - Assembled Minds 
Why You Always Hatin' - YG feat Drake & Kamaiyah
So High - Beatking feat Gangser Boo
Eat Shittake Mushrooms - Let's Eat Grandma
That Part - Schoolboy Q feat Kanye West
Awake Awake/The Split Ash Tree/May Carol/ Southover - Shirley Collins
Wolves (Balmain Campaign) - Kanye West feat Sia
Low Life - Future feat The Weekend
Lazarus - David Bowie
50 On My Wrist - Sonny Digital
Black Beatles - Rae Sremmurd feat Gucci Mane
Do Ya Mind - DJ Khaled feat Nicky M, Chris B, August Alsina, Jerimih, Future & Rick Ross
Bad & Boujee - Migos feat Uzi Vert

Thursday, 8 December 2016

Angel Rada



This is taken from the Soul Jazz comp Venezuela 70 which was released this year. I don't think I'd ever heard anything from Venezuela before. I have many records from Brasil, Columbia & Peru but this is a new territory for me. The above tune is the outstanding one for me on that collection - South American space synth jam dedicated to Klaus Schulze.



This one's on Venezuela 70 as well.... pretty good too. Details about Rada on the web are v sketchy. He was in the band Gas Light then went solo. He studied music in Germany in the 70s. That's about it.



Wow...this tune is not on the Soul Jazz compilation but is incredible. Upadesa puts me in mind of an even stranger Illitch if that's possible. This is fabulous lost Kosmische synthesiser music. A musical revelation to the eardrums. So all of the above tracks were on Angel Rada's record Upadesa released sometime in the 70s (???). This is the kind of thing that would have been posted on Mutant Sounds back in the day. Is there more unheard gold out there?

Wednesday, 30 November 2016

Sister - Sonic Youth

TIM'S ULTRA ROUGH GUIDE TO ROCK - PART 9?


Sonic Youth - Sister
I think Schizophrenia, which opens Sister, was the first Sonic Youth song I ever heard. This was on a visit to the big smoke in 1987 and it was played on either 3RRR or 3PBS in Melbourne. What an introduction to a phenomenal band. I’d listened to the Primitive Calculators, The Birthday Party and Cosmic Psychos before but who knew you could make noise beautiful? This is probably the Sonic Youth album I’ve played the most. The cover was perfect. This is the sound of skyscrapers, cows. suburbia and intergalactica all rolled into one. Cotton Crown still sounds unbelievable today with its girl/boy vocals and those swirly out of tune guitars then when that change where the bass goes bezerk Sonic Youth elevate rock to one of its loftiest peaks. This band were on an outstanding roll that had begun with the two previous LPs and would continue for their next three records. Then as elder statesmen/women of art rock they had a terrific late re-flowering and issued a classic trilogy of albums that began with 2002’s Murray Street. Sister = Awesome!


Tuesday, 22 November 2016

Hashim - Al Naafiysh



Just discovered this classic bit of old School electro from 1983 the other day...mmm...mm!

Wednesday, 16 November 2016

Hip Hop's Founding Fathers



We're not talking about Kool Herc or The Bronx here. This doc tries to set the record and history books straight on who the real innovators in hip-hop were. Founding Fathers presents an alternative narrative to hip hop's past that shines a light on a bunch of forgotten cats who were involved in block parties from other boroughs of NYC other than The Bronx. It's all about turntables, big sound systems, DJs, Bigger sound systems, park jams and really big sound systems. Chuck D narrates. I wouldn't post it if I didn't think it was excellent.

Monday, 31 October 2016

Halloween - Ennio Morricone Edition



One of Morricone's lesser known scores but it's another fucking cracker. I only came across this one last year and it blew my mind a little bit, couldn't believe my ears. Kick off your festivities with this cranked on the hi-fi. This is the score to a 1972 Giallo directed by Massimo Dallamano which features saucy female students, sleazy teachers, nudity, abortions, girls on bikes and murders. What did you expect?



Now this has to be one of Morricone's most underrated horror scores. If you're dropping acid at your festivities tonight this will be the perfect soundtrack! I've never watched the film but the sounds here get pretty insane, perhaps I'll finally watch it tonight. They even made an Exorcist III ...who knew?



Ooh...I just found this. It's a collection of tunes from a bunch of Ennio's Giallio scores, nothing new to me here but looks like it'll be a great creepy mix. Tracklist below.

COSA AVETE FATTO A SOLANGE? (TITOLI) from “Cosa avete fatto a Solange?” 00:00
1970 from “Il gatto a nove code” 02:37
NEBULOSA PRIMA from “Il segreto” 11:17
VALZER from “La corta notte delle bambole di vetro” 16:49
SEGUITA from “Gli occhi freddi della paura” 19:07
OSTINAZIONE AL LIMONE from “Cosa avete fatto a Solange?” 22:21
IL SERPENTE from “Il serpente” 24:48
BAMBOLE DI VETRO from “La corta notte delle bambole di vetro” 31:24
SPASMO from “Spasmo” 38:07
OLTRE IL SILENZIO from “Il diavolo nel cervello” 40:04
EMMETRENTATRE from “La corta notte delle bambole di vetro” 43:32
LE FOTO PROIBITE DI UNA SIGNORA PER BENE from “Le foto proibite di una signora per bene” 47:45
TRIO INFERNALE from “Trio infernale” 52:23
INSEGUIMENTO E FUGA from “Revolver” 56:30
SENZA MOTIVO APPARENTE from “”Senza movente” 01:00:15
LA RAGIONE, IL CUORE, L'AMORE from “Il diavolo nel cervello” 01:04:38
EVANESCENZE from “Gli occhi freddi della paura” 01:08:04
L'ATTENTATO from “L'attentato” 01:11:25
NINNA NANNA IN BLU from ”Il gatto a nove code” 01:16:04


Don't ya just love this cover. Eyeballs, eyeballs, eyeballs. Eyeball goodness. Eyeball art! Below is a review I once did on this soundtrack.

Gli Occhi Freddi Della Paura - ENNIO MORRICONE
Now this was another 1971 soundtrack but it didn't get a release until 2000. I didn't miss this one. I think it has been reissued again in the last year or two. So Morricone recorded this with his improv band Gruppo Di Improvvisazione Nuova Consonanza. This score is not only one of the best soundtracks ever, its also one of the best albums ever. I guess people into AMM, Nihilist Spasm Band, Spontaneous Music Ensemble or Miles Davis in the 70s should take a special interest here. This is some top notch improv jams under the direction of the one and only Bruno Nicolai. Produced by none other than Gianni Dell'orso. We've got fuzz guitar duelling with jazz bass and electronics. That's just for starters. This LP is so unpredictable you never know where it's heading next. There's many a clank and a scrape to be heard amongst other haunting sounds. The group had been going since 1964 and are considered one of the pioneering collectives of experimental composers. It was by no means Morricone's band. Other members included Egisto Macchi (library music legend), Walter Branchi and Franco Evangelisti. I think it was Evangelisti who got the whole thing together. They were aspiring to a new form of composition through improvisation and other methods such as (like John Cage) chance. Apparently they sometimes used the game of chess as an inspiration. Anyway the credits on this one go to Morricone but that seems arbitrary as surely everyone contributed to each tune. Fabulously free percussion mixed with of sour sax/trumpet(?) and textural keyboards play their part on this recording. More than anything though its not the separate sounds that make up the music, its the sound of the unit itself. This is an incredibly switched on unit comparable to Can and the ensembles Miles Davis put together in the 70s. Half the time I don't know what's making the sounds anyway. This doesn't sound like any other soundtrack I've ever heard. Most of the time you forget this incredibly fluid music even went with images as the tangent of where the hell they'll go next has you so engaged. You start to feel that your own ear is also an integral part of the unit as well. This is a hell of a strange trip that never gets old. They have other albums as well, maybe I'll discuss them another time. Its quite hard to believe a film director just saying 'yeah sure' to this mental project. This is a unique record that could have a special place in your heart if you give it a listen. Like Harmonia's Deluxe this is an unheralded classic of 20th century music that deserves a better status.