Saturday 26 May 2018

More on Movies Part III

RECENTLY RE/WATCHED MOVIES



Blokes You Can Trust (2013)
Drove me up the wall I ain't no spider! A documentary on underground Australian rock legends The Cosmic Psychos. More of a cult of personality doc than an analysis of their music. Pretty entertaining.


Siege aka Night Warriors aka Self Defence (1983)
Very crafty siege thriller. A police strike causes Nova Scotians to take the law into their own hands. An armed right wing gang walks into a gay bar then the drama unfolds. Fabulous minimal electronic score too. Canuxploitation rules!

Annihilation (2018)
A sci-fi trip out or a complete load of shite? If I watched it off my head perhaps it would have been the former instead of the latter.


A Clockwork Orange (1971)
Havn't seen this for years. Got the Blu-Ray but can't bring myself to put it on.


Walking The Edge (1985)
A revenge movie with Nancy Quan, Robert Forster, Joe Spinell, a high body count, the mean streets of 80s LA etc. A Shambolic film, not without merits though. This one's for the cult film enthusiasts looking for deep cuts.

Sherman's March (1986)
A directionless yet fascinating sometimes bloody boring doc about a self absorbed American wanker who travels around America's south not making his intended documentary. He's led from town to town by his penis as he courts a bevvy of women. For a an uncharismatic man he does quite well for himself. It's amazing what over-confidence and a camera can do for you. Mental actresses, mormons, self sufficient counter-cultralists, doomsday preppers, libertarians, anti-nuclear protestors and even Burt Reynolds all feature in this meandering time capsule of a film.

The Witch (2015)
Fuck this is the most overrated and boring horror film. Horror podcasters/writers are starved of good content so a film like this ends up being highly rated to try and keep their so called subculture alive, hang on to advertisers etc. despite how underwhelming it is.


Cold In July (2014)
This thriller/urban western/revenge film's got Michael C Hall with a mullet, Don Johnson as a cowboy, a bit of ultra-violence & a brilliant soundtrack. Good times.


Sharky's Machine (1981)
Burt Reynolds directs and stars in this weird crime thriller/cop movie set in Atlanta. Drugs, hookers, politicians, murder and romance included. The cult builders are trying to put this strange film on the map, with good reason. Perhaps Reynolds missed his calling as he may well have become an incredible film director.


Man From Hong Kong (1975)
Aussie chop-socky flick that should have had at least half an hour left on the cutting room floor. It's alright though due to several set pieces that are masterful and stunningly visceral.


Vigilante (1983)
An urban vigilante masterpiece. This movie's got the lot - Seedy vibes, gunned down kids, violence against the disabled, car chases, prison shower violence, people thrown off buildings, car bombs & an excellent Jay Chattaway score. The early 80s New York cesspool captured perfectly on film.



Assault On Precinct 13 (1976)
Great siege movie that's in the past, of its time and timeless all at the same time. Best theme tune right here folks.


Rubble Kings (2015)
Brief doco on the roots of the roots of hip-hop. What was happening in NYC during the 60s & 70s before the rise of Herc, Grandmaster, Bambaataa, bloc parties and Style Wars? Well...a whole lotta violent gang war shit. Interesting side note: they couldn't afford what they originally had as the soundtrack so only one tune survived. Highly recommended.


The Cruise (1998)
Documentary about Timothy Speed Levitch. This film is a portrait of an eccentric New York bus tour guide with a gift for prosaic speech. It all begins rather charmingly and funny. Towards the end you realise that perhaps his mental illness is taking its toll, not just on the subject but the audience as well. I felt like I just spent 25 minutes too long on this bus trip. This curio needs to be experienced at least once though.


The Hidden (1987)
Here's an underrated movie. A shoot 'em up sci-fi thriller starring Kyle Maclachlan as a pre Cooper/Dougie FBI character. How I missed this at the time is something I don't understand. This is a quintessential 80s film. The Hidden would go good on a double bill with 1986's Night Of The Creeps. 


Bad Timing (1980)
Nicholas Roeg at the peak of his powers right here. He gets great performances out of some inconsistent actors Art Garfunkle, Theresa Russell and Harvey Keitel. Grim psychodrama magnificently executed. Not a joke in sight.


BRUCE DERN IN FIVE 70S CLASSICS
The King Of Marvin Gardens
The Laughing Policeman
Family Plot
Smile
The Driver



THE BEST IN FILM PODCASTERS/CRITICS/COMMENTATORS
Heather Drain
Samm Deighan
Kat Ellinger
Daniel Bird
Stephen Thrower
Kier-La janisse
Adrian Martin
Amanda Reyes
Justin Kerswell

Saturday 12 May 2018

Mort Garson - Black Mass Lucifer


I was listening to this the other day through the computer which was transmitting to a stereo system via bluetooth. The bluetooth wasn't functioning so great with interference, static, clicking, distortion and kept cutting out. Before I got around to pairing the computer to the stereo again I kept listening. If I'd just walked into the room and heard these sonic textures I would have asked 'Is this the new Ekoplekz album?' so I just listened to the rest without fixing the bluetooth connection.

Ekoplekz might be a fan of this for all I know. It's got all that pre-industrial electronic stuff going on and I guess it's not that far removed from your industrial/pre-post-punk of Cabaret Voltaire, Throbbing Gristle, Residents etc. This is the sort of stuff (Egisto Macchi, Moggi, Bruce Haack, Gyl Trythall, M Zalla etc.) I was heavily into in the mid/late 00s via sharity blogs. Later, reissues started popping via The Omni Recording Corporation and a bunch of other record companies. Anyway amongst Garson's catalogue are a couple of other classics, specifically the pastoral loveliness of Mother Earth's Plantasia and the mischievous sinister sounds of The Unexplained: Musical Impressions of The Occult under the pseudonym Ataraxia.


*This has been reissued in the last month according to discogs.

Tuesday 8 May 2018

Tropical Fuck Storm - You Let My Tyres Down



Sometimes it's hard to deny a great rock song innit? Best thing since this beauty below from 2005.



That Tropical Fuck Storm tune is new. Gareth Liddiard formed this new group last year with fellow Drones member Fiona Kitschin. Other members include Lauren Hammil (High Tension) on drums and Erica Dunn (Palm Springs) on guitar and other stuff. Their new debut LP A Laughing Death In Meatspace is more immediate, experimental and varied than The Drones. Oh and the chemistry! The drumming is the best I've heard since Per Byström (Ooga Boogas), there's great girl/boy vocals and the guitar interplay is astonishing at times. The song structures are impeccable while they may appear chaotic they never fall apart. It's a pretty fuckin' good record.


To top it all off it comes in the best album cover since.....I dunno... a time when LP covers were good and an integral part of of the whole musical artefact. #MakeAlbumArtGreatAgain.


Friday 4 May 2018

Models - Cut Lunch



Confusingly this 1981 EP/mini LP Cut Lunch made both the singles charts and the albums charts.

Friday 20 April 2018

RIP Brian Hooper



This might be Brian Hooper's most triumphant moment. One of the best rock bass-lines ever and he wrote it. I was trying to find that footage of him talking about coming up with the bass on this but I can't find it on youtube. It's probably from the Autoluminescent documentary anyway he instantly knew it was fucking great.



Brian Hooper also co-wrote this classic tune with Rowland or did Rowland just nick the bass-line from Where The Action Is by Hooper's band The Voyeurs and give Hooper a writing credit? I'm not sure if he played bass on the finished recording of this song (?). Mick Harvey recently tried to explain this convoluted story on Melbourne's 3PBSFM but he was a bit confusing about it all. Somebody out there has the correct story. Anyway whatever the story, Hooper created that incredible bass-line. That Voyeurs tune is not on the youtubes.



Hooper co-wrote and played on this demented Kim Salmon & The Surrealists gem. I must have seen Kim Salmon & The Surrealists 15 to 20 times in Melbourne during the early/mid 90s. They were a fucking powerhouse live group. Three memorable gigs stand out, one at the Punters Club in 92 or 93 and two consecutive nights at The Club in 93 or 94. All gigs packed to the absolute rafters and frighteningly overcrowded but you didn't care because these were essential events you had to be at. Rock'n'Roll electricity.



Another fucking classic co-written by Hooper with Kim Salmon & Tex Perkins this time. Rock & Roll brothers and sisters! He could play the bass doncha reckon? You had to be good in Australia because you had the legacy of Tracey Pew (The Birthday Party) and contemporaries like Ian Rilen (X) and Martyn P Casey (The Triffids, The Bad Seeds, Grinderman etc.).

There is footage on youtube of Brian Hooper just last Friday night playing this tune at The Prince Of Wales Hotel in the Melbourne seaside suburb of St Kilda with a reformed Beasts Of Bourbon. Hooper was brought on stage in a wheelchair by 5 or 6 nurses who had him plugged into an oxygen tank. At the end of the song lead singer Tex Perkins leans in and gives Hooper a hug. It's all too emotional, less than a week later cancer would take his life away.


He went solo out of necessity, he explained once fifteen years ago, because Rowland wasn't doing enough and Kim Salmon wasn't talking to him or something like that. I Get Up Again is a slice of primo noise rock in the tradition of his old bands The Surrealists & The Beasts.

Thursday 19 April 2018

Vigilante OST 1983 - Jay Chattaway


I don't get why the soundtrack reissue record companies haven't tracked this one down for a release. I reckon it's Chattaway's second best score behind his minor masterpiece Maniac from 1980. Vigilante  the film is a classic too, capturing the early 80s NYC cesspool with beautiful cinematography. Not to forget the dramatic action and nasty revenge violence.

Friday 30 March 2018

Unengaged in 2018 Semi-Rant....





It's always hard to listen to any new music in the first few months of the new year because all I can listen to is the usual Christmas offering from Moon Wiring Club. Tantalising Mews/Cateared Chocolatiers was a double cd and an LP, almost 3 hours of music. Then I end up going back through their entire back catalogue as well as as their sterling batch of DJ mixes. That's a hell of a lot of music, all of it terrific.

It's not like there are a bunch of new records lining up to be heard though. All I know is Migos and Judas Priest have new LPs. Readers please feel free to recommend an album to me that you think I may have overlooked. I'm not really holding my breath for any upcoming releases as far as I can recall.

The only thing I can think of that would excite me is if eMMplekz ever get around to recording something new. I actually can't believe eMMplekz aren't part of the semi-popular consciousness like The Fall were in the 80s. They should be highly anticipated heroes on the festival circuit. If the fucking Sleaford Mods can crack the top 20 with their bollocks, fuck, eMMplekz should be hitting the top 10 with Baron Mordant's lyrics that capture the crap going on in all our heads in this over stimulated digital age. He's an astute observer of the current absurdity in which we all live our lives. Are they most underrated music project ever? I guess people are so fucking people. I once wrote a piece on eMMplekz and how they are a conduit of our internal thoughts and external expressions in this current maddening age not to mention the exposed malignant electronics Mordant's vocals are paired with but I lost my notepad (I should come back to this topic at a later date).



The only other thing I'm keeping an eye on is the electronic avant pop ladies ie. Holly Herndon, Katie Gately, Laurel Halo etc.

Strangely enough I just did a google search after writing the previous sentence to see if anything was happening out there in the world of music that might interest me and well, yes, Ekoplekz have a new release Impressionz. This is an archival collection containing 10 unreleased tracks recorded in 2014 during the sessions for the classic Reflekzionz LP. I can't find any indication of a forthcoming eMMplekz album though. In fact something on bandcamp hinted that their 2016 LP Rook To TN34 may indeed be their 'swansong'.


Thursday 29 March 2018

Movies....again

RECENTLY RE/WATCHED


Blood Beat  (1983)
As the Americans like to say this movie is 'batshit crazy'. Fucking strange Christmas slasher/rural horror with a sexual samurai ghost. Probably best watched under the influence of something.


There Will Be Blood (2007)
Pretty Amazing. Surprisingly compelling for such a long movie. Probably not enough jokes though. Does Daniel Day Lewis have to be slightly unhinged to be able to portray such an awful character?


Prime Cut (1972)
Mental Irish mob gangster flick. Drugs, prostitutes, meat packing and a whole lotta wrongness. Stars legends Sissy Spacek, Lee Marvin and Gene Hackman. Look out for crazy chase scene involving a homicidal maniac on a grain harvester, wow!


Race With The Devil (1975)
Mid 70s American classic of Satanic rural horror/action. Peter Fonda, Warren Oates & Loretta Swit star in this genre hybrid. Camping, car chases, boozing and a chilling ending. How could you go wrong?



Atlantic City (1980)
Neo-noir crime/romance. Burt Lancaster and Susan Sarandon star. Directed by French bloke Louis Malle. Really good little story. One of the best movies of the 80s which is really a 70s film innit?


Jurassic Park (1993)
Bad script, horrible music and cheesy acting nearly destroy this movie but it's saved just by the horrifying nail-bitting action. Oh...It's got Dinosaurs.


Freebie & The Bean (1974)
Pioneering buddy cop action car crash extravaganza comedy movie set in the always scenic San Fransisco. James Caan and Alan Arkin are the two bantering dickhead cops while Loretta Swit and Valerie Harper play their girlfriends. Some of the most iconic 70s car chases, shoot outs and er...racist dialogue, hey it was 1974.

Lost In America (1985)
Albert Brooks comedy co-written with Monica Johnson. A yuppie (ha I got to use the word yuppie) married couple played by Brooks and Julie Hagerty quit the rat race to travel America in a motor home. Guess what? Things don't turn out so good. You would have to think that one Larry David was a big fan of Brooks.

Death Wish 2 (1982)
Can't say much about this except that it makes the first one look like a masterpiece. I must have fallen asleep in it as I don't know what happened in the end. Apparently Death Wish III is  highly rated by the VHS nerds but I don't think I can go any further.


Paris Is Burning (1990)
Fascinating doco that chronicles the ultra underground drag and transvestite scene in mid/late 80s New York. This is quite a time capsule that explores the intricate social detail of drag balls as well as AIDS, poverty, prostitution, voguing, race and murder.


Into The Night (1985)
Like a companion piece to After Hours & Something Wild only not quite as good as those two. Directed by John Landis and starring Jeff Goldblum & Michelle Pfeiffer. Oh so quirky like only 80s so called comedies can be. Worth watching though for David Bowie in menacing supporting role. Never saw this in the 80s.

Party Monster (1998)
Doco about a bunch of degenerate (not in a good way) fuckwit empty vessels with no talent called the 'party kids'. If this wasn't real you'd swear it was a mockumentary written by Bret Easton Ellis.


10 To Midnight (1983)
Stop the presses! I liked a Charles Bronson movie. To elevate a police procedural movie above the standard tv fare they have added more blood, boobs and bent cops. How entertainment. Excellent electronic score too. The sort of thing you'd wish would be on telly in the middle of the night when you can't sleep instead of reruns of fucking Walker Texas Ranger.


The Devil's Honey (1986)
Unforgettable opening sex scene involving a saxophone, followed by an unforgettable sex scene with lipstick then one on a motorbike. Lucio Fulci's unknown 1986 film surprised everyone last year when it got a blu-ray release. Funny how some people (podcasters) say 'I'm a big Fulci fan' yet many were not even aware of this film. Do you reckon 'a big Bob Dylan fan' isn't aware of every recording he did in 1986?

NEVER SEEN
Texas Chainsaw Massacre II & III
Poltergeist II & III
Exorcist II & III 

PODCASTERS/CRITICS/COMMENTATORS I CAN'T STAND
(ie. Why does film criticism attract such wankers and try hards?)
Mark Kermode
Nick Pinkerton
Violet ??? from film comment

Friday 16 March 2018

No Rest For The Wicked



1976. Here's an LP that is amazing. Power trio shit up there with Blue Cheer, ZZ Top, Rush and whoever. This group is sometimes so in the pocket I can't believe it. I'll analyse it later but for now just enjoy. Sometimes it even reminds me of Television, perhaps it's just the guitars they use I dunno. Rock on!

Mondo Rock is Best Rock



The melody of this (above) top 10 tune entered my mind at 3AM yesterday morning. I reckon I haven't heard it in over 25 years. It's a hell of a tune from an underrated band. They're not cool but they're consummate pop craftsmen who designed the right kind of ear candy for the early 80s Australian radio airwaves. Mondo Rock's double platinum 1981 LP Chemistry produced another 3 hits (below) all of which I loved as a kid.



Synth-y new wave blue eyed soul schtick, which is nice. Ariel Pink would get into this I reckon.






I guess this one's a bit Cars-y. This top 10 hit was a staple of the 80s airwaves. Old wave into new wave. For non-Australian readers singer/songwriter/producer Ross Wilson was in the legendary Aussie 70s act Daddy Cool.



It was a party night 
It was the end of school

This for me is Mondo Rock's all time classic though. I remember being in Melbourne and hearing it on 3XY. It's from 1984, right at the time girls got very interesting. It's full of the excitement of oncoming adolescence with a hint of menace. The lyrics are a bit dodgy though aren't they? Are they?

I've always wondered which beach this clip was filmed at.

Anyway Come Said The Boy only made it to number 2 on the charts. No 1 in my heart, right up there with other early/mid 80s radio classics Don't Change, Boys Of Summer, Ship Of Fools, Out Of Touch etc.