Tuesday 16 October 2012

Old stuff better than new stuff?


Maria Minerva has a new LP Will Happiness Find Me?

There are all sorts of new records I would usually be salivating to to listen to by Maria Minerva, Emeralds & Sun Araw plus a new side by Oneohtrix Point Never and a new tape by Mark McGuire. I mean they are there waiting to be listened to but since reading Energy Flash I'm in some kind of British 90-95 timezone wormhole that has attached to my brain and will not allow anything else to get past my ears. This is no bad thing as I'm re/discovering exciting music from exciting musical times. It does however make me wonder if what's happening now is really quite inconsequential. Has that whole underground of above mentioned artists, James Ferarro, No Not Fun records et al. run its course? If hipsterhouse is the only thing on the musical horizon god help us. It could just be that I have read two books recently by Owen Hatherley & Simon Reynolds on 90s music so I've just naturally gone back and checked out the music. When the future of music looks barren I do usually go into undiscovered (by me) retro-zones though. I have musical zones waiting for such times like Musique Concrete, 20th century composition, Jazz, Early R & B, Disco, 70s AOR, Dancehall, Aboriginal Country, Doo Wop, ECM Records, Gamelin, NWOBHM, Anything from Finland, Country Soul  and general things I've just missed etc. etc. Worringly on Maria Minerva's new LP she sings on Perpetual Motion Machine "this goes out to the lovers of deep house" Forgive me if I'm wrong but whenever the term deep house first appeared (I dunno 90-91?) didn't that mean shit house. How much deeper/shittier has it got in the following 20 years god only knows.

Emeralds-Just To Feel Anything
Been waitin' 2 years for this but it remains unplayed!
Anyway I'm on this trip- The lineage (that would be a very crooked one) of 'Ardcore to Darkside to Ambient Jungle. Wow the times were moving then! A sort of hyper progression of culture that blasted into the future with the speed of light which was also reflected back into the music. I've been making ultimate mixtapes of hardcore, darkside and yesterday started one on ambient jungle. Had to dig out old Omni Trio, Foul Play and 4Hero tunes. A long time since I've listened to these records and they're great. This mix is already at nearly 3 hours. Someone on the blogosphere mentioned recently the Macro Dub Infection compilation released by Virgin in '95. I was getting massively into dub man in the early 90s like King Tubby, Scientist, Prince Jammy, Scratch, Augustus Pablo, Keith Hudson, Blood & Fire Records et al. This modern dub influenced collection on Virgin was great but out of the 4 tracks I could think of off the top of my head the other day (before I found it in my closet) 3 were jungle tracks. Omni Trio's The Half Cut, 4Hero's The Paranormal In 4 Form and a track by Spring Heel Jack. That just goes to show how outstanding jungle music was/is! There were only 3 jungle tracks on the compilation! I do have to mention the other track is one of the most astounding modern dub reggae tunes heard to this day. It was by Irration Steppas called Irration Steppas V Dennis Rootical (never found any of their records though). Anyway I remember playing Omni Trio on student radio and fuck me they were made for FM radio. Other tracks I recall from this one off night included The Beach Boys, Booker T and the MGs, My Bloody Valentine, Laika, The Beastie Boys and er....The Tindersticks. I have often thought my blog was a little too eclectic but clearly this is nothing new for me so I couldn't do it any other way.

Omni Trio strike more gold!

One of the greatest ambient jungle
 tunes. Which one???

Sunday 7 October 2012

Energy Flash/Hauntology

Here is a quote from page 164 of Energy Flash: A Journey Through Rave & Dance Culture written by Simon Reynolds and originally published in 1998 but this is a 2012 edition.

'Imagine the theme music for a 50s Government film about Britain's new garden cities: serene, symmetrical, euphonious, evoking the socially engineered for a post war New Order.'

Here Mr Reynolds was referring to some of the music that Aphex Twin was making early in his career. I wonder if Boards Of Canada were reading this but didn't they already exist? or if the GhostBox crew were taking notes because it sounds like Simon Reynolds invented Hauntology 6 or 7 years ahead of its time, well the theory and subtext to it anyway. When I first heard BOC I thought shite they remind me a little of Seefeel & Aphex Twin, which to me was in no way a bad thing! I wonder if Simon is aware of this portentous quoted passage or realises his complicity in the entire idea/genre? I know he is a big fan of the whole thing and has scribbled many words on the topic via his blog and in an article for The Wire magazine many moons ago.








Word Up!


    

Cameo-Word Up
Best song ever?

Saturday 6 October 2012

Rock Da House


Rock Da House
Beatmasters & Cookie Crew
1987


Goin' Back To Cali
LL Cool J


ICE-T
COLORS

Back in the day all these tracks were exciting, you didn't know what was going to happen next! It was fresh. How excitement! This wasn't indie rock or hair-metal. They all still sound great today. I can't believe that Beatmasters & Cookie Crew track still stands up. These tunes remind me of ABC TV's Saturday morning show The Factory.

Friday 5 October 2012

Darkside

Been on a mission/obsession in the last few days to make the most awesome Darkside mixtape ever. I think I've made it. It's funny what's available via the Internet and i-tunes. Everything you can imagine is able to be listened to via the youtubes but not every track ever is available for download legally or illegally. Been enjoying these two comps on Reinforced: The Definition Of Hardcore & Callin For Reinforcements. Been diggin wicked tracks by Kaotic Chemistry, Hyper On Experience, Doc Scott, Rufige Cru, Satin Storm, Origin Unknown, Boogie Times Tribe, Nebula II, Acen, DJ Ecel, Neuromancer etc as well. These are all from 90 - 93 an era of depleted funds and a lack of knowledge about said tracks. You would hear them but you wouldn't know what it was or who it was by. There was a jungle specialist record shop in Prahran in Melbourne but who could afford expensive imported 12'ers back then? Now the minute a track is played on/at a show the Internet will tell you pretty much straight away what it was. Anyway it was all about living in the moment. Having said that it's great to finally track down some of this Gold I'd forgotten about/thought I didn't care for anymore.


Contains two 4Hero classics as well as Nasty Habits
Dark Angel and Nebula II's X-Plore H Core.


DJ Excel-Just when You Thought It Was Safe
This epic is as absurd as prog rock!


Acen-Trip II The Moon Part 2
I love it when that Bond sample kicks in at around 3.30!

This has the 4Hero classics Mr Kirk's Nightmare &
Cookin' Up Yer Brain.

Monday 1 October 2012

Panic Attack


Remarc & Lewi Cifer
Ricky


Johnny Jungle
Johnny
These two are part of the sub-sub-genre of Darkside (which was a sub-genre of 'ardcore) called panic attack songs along with Subnation's Scottie. The best genre ever?

Freaky Shit!!!


After writing that last post where I mentioned Lime Lizard Magazine which I'd totally forgotten otherwise it would have been mentioned in the post about The Wire, NME & MM I wrote a while back I went into my bedroom. On the floor lay one solitary cassette and (pictured above) it just happened to be a compilation tape given away free with a 1993 copy of Lime Lizard. Freaky man!!! I mean obviously a box of tapes had been knocked over under the bed but still that's some freaky shit right there! Truman's Water, Polvo, Shudder To Think - I loved those groups. I wonder what I'd make of them now? Maybe I should give it a listen.

Paul goes mental on the bass
* Music highlight of the week was listening to Abbey Road remastered in the Mrs car. Mind blowing shit man. Paul's crazy bass, Ringo's large drumming and some synthesizers I'd never really noticed before. We had to take the long way home so we could listen to the whole thing. Also I was listening to Blue Oyster Cult on the plane back from Sydney and laughed to myself  'Wouldn't this be funny if it was the last thing I ever listened to?' That particular thought tickled me for some reason. It still makes me smile.

Funny LP to die to.




Energy Flash


Origin Unknown
Valley Of The Shadows
I Started reading Simon Reynolds Energy Flash: A Journey Through Rave Music & Dance Culture (2012 Edition) today and I'm up to about page 188 at this very moment where the above track is mentioned. If I'd read it back in 98 I wouldn't have been able to just go on youtube to check out the tracks I didn't know. I am in the future. Funny I've read all his books but I've somehow managed to avoid this one for 14 years, better late than never and quite timely too as I'm in some kind of electronic 90s timewarp. After chapter 6 I have a new lease of love for old faves like Autechre, Black Dog, Aphex Twin et al. But there are gaps baby (ie. pg.188) and youtube is a brilliant resource. Somewhere in the book he mentioned Lime Lizard magazine which I had totally forgotten about. It was a magazine as opposed to a paper and was a pretty good alternative to the NME around 91/92. I think it came out bi-monthly. Anyway it had some top writers and was the first place I read about Thomas Koner, Disco Inferno, Ice, Ultramarine and others.


Bay-B-Kane
Hello Darkness
I recall this though.