Monday, 26 November 2012

RE: Scott Walker Bish Bosch

er...That's the cover.


Fabulous little look at some of the techniques used in this new record.
 
 
Master & Apprentice
 
 
The Classic Wickerman from Pulp's We Love Life LP.
As mentioned in the previous post produced by Mr Engel
 with Mr Peter Walsh assisting at the desk.
 
 
Found this while I was lookin for that Pulp track.
How weird is the Internet? 

Sunday, 25 November 2012

Scott Walker - Bish Bosch




Farmer In The City
From Tilt
Be warned if you've never heard this prepare to
have your mind blown. Surely one of the
greatest songs of the 20th century.



"I'll punch a donkey in the streets of Galway" 
Jolson & Jones
From The Drift



It's all happening now. Scott Walker has a new LP out 5 years early. I'm still processing/getting used to The Drift. Geez man give me some time. He must be going through a creative period I mean The Drift was only released in 2006, The one before that Tilt was '95 and if memory serves Climate of The Hunter was like 1984. Slow down man you'll give yourself a heart attack! Anyway I've had a quick listen to Bish Bosch and well it's what you would expect. How do I describe that? I'll get back to you on that. There did seem to be little cracks of light here and there. One track almost had a groove happening. Another had a little Bossa Nova/Tropicalia/Samba? interlude going on. Hang on am I sure? Diehards don't be disheartened these were very brief moments if they happened at all. It's the usual esoteric Walker walking into a future like no other. Some choice lyrics are 'Nothing clears a room like the removal of a brain' and another where he compares himself to a 'Wildflower Garden, an English Garden'. There are even some rock like textures on Phrasing with 70s metallic riffs popping up randomly amongst other little surreal psych bits.  One track Pilgrim has this great percussive backing while he he sings about a room full of mice and blowing bullfrogs with a straw. Then he sings about staring into the bullfrogs eyes before they burst, you know the usual kind of of lyrics for a song. On The Day The "Conducator" Died (An Xmas Song) the final track, the backing could be Slint on really strong painkillers with sleigh bells for percussion and then there is a mini Jingle Bells riff on the bells right at the end   I love these people who get more hardcore and don't become complacent and boring in their old age. It's definitely worth aspiring to this being an awkward renegade who doesn't give a damn what anyone thinks. I can imagine him now in his old age still drinking a truckload in the company of sophisticated women with maybe a little something else on the side to get himself going/not going, know what I mean. Or I can see him as being a quiet, solitary, studious and creative man in his abode occasionally going for a walk in the park. Maybe he's somewhere in between which could explain a few things.

Havin' a little sip old skool stylee.

Scott has a secret weapon in Peter Walsh his producer who also accompanied Walker on production duties for Pulp's  underrated but tremendous final LP We Love Life.  Walsh has been with him since The Climate Of The Hunter. If I have this right he also produced one of the greatest Church LPs ever Heyday from 1985. That was such a beautifully produced record that it is much to my amazement they never used him again. I always thought Heyday was produced by The Apartments Peter Milton Walsh until today. Anyway i thought both Peters were the same Peter so it made no difference to me. Maybe Peter Milton Walsh should get Peter Walsh to produce the next Apartments LP.




Boy Child from Scott 4
Couldn't resist some old School Scott from '69.
Who else was doing shit like this back then?


Moon Wiring Club - Today Bread, Tomorrow Secrets

 
 
 
Ghostland and departed Buildings
I dig this video and by the looks its
shot on some very old taped over hundryd
times tape. Great synchronicity  between
sound & vision.
 
 
Anyway you know what that means there's a new Moon Wiring Club LP and CD coming out and this is exciting news. Doncha just love the whole aesthetic of the band, the music, the artwork and the film clips? They are in are in total control of everything and it works beautifully. 
 


Saturday, 24 November 2012

Turkish psychedelic Music 2 Blog



I keep forgetting to give a big shout out to Bilek from  http://turkishpsychedelicmusic.wordpress.com/ who has been back for a while now with his blog sequel to the Turkish Psychedelic Music Blog which I wrote an obituary for earlier this year and Bilek was kind enough to write some nice words to me. These can be found here on my blog. Anyway his sequel is a beautiful blog and a hell of an improvement on the old one. So good luck to his new venture and hopefully there will be some great new discoveries for me and the rest of the people in the blogosphere. The subtitle is Anadolo Folk, Pop, Rock, Jazz. Happy days.




Cheap Shots VI



Byron Bay in Black and White.
October 2011




















This is my fave in this series.









This was an amazing white tree. I wish I'd captured it
better. It is only a crappy $50 phone though.



















































Looks like some kind of walking snowman emerging
from the sun's glare on the river.







My other fave in this series,

Friday, 23 November 2012

Friday Night-Party like it's the late 80s!

These 2 Smiley Faces are totally separate trax.


Jolly Roger Acid Man
I wonder what Jolly's doing now?
Was this his only song?


Baby Ford Oochy Koochy
He was all set to be a superstar wasn't he?
He had a string of hits then he released a
shite cover of Children of the Revolution
and we never heard from him again.


D Mob Acieed

*There was a fine line back then between annoying and sublime wasn't there? I suspect the annoying factor comes from somewhere deep within these youngsters to create a generation gap and to stamp a genre all their own.  

Notes for a future Manifesto/Theory/Philosophy

Some Quotes:

"Just because you are doing something in inverted commas doesn't mean you're not doing it"
Quote from Tim Space Debris at Cardrossmaniac2, 23/11/12.

"What is there in uselessness to cause you distress"
The title of an AMM song from AMMMusic 1966.

I had more but I've forgotten where I read them. Anyway some food for thought that may one day be put into some kind of coherent passage of words.

Other Stuff

*I saw a bunch of musicians in the states are doing a tribute to The Band's Last Waltz concert/movie. Fuck me wasn't the first one tedious enough. Imagine what it'll be like with 2nd and 3rd rate indie musicians doing it. I feel sick. Are they gonna get Marty to film it as well, now that would be weird. No hang on they should get some 2nd rate Scorsese wannabe to film it. Hang on that starts to make the concept almost interesting. When is this shit gonna end? Didn't Nels Cline used to be some kind of avant musician?

**Here's a collaboration I'd really like to see Skrillex V Umberto. Doncha reckon that'd be good? Or would it end up sounding like some kind of witch-house? Either way I'd like to see that happen.

***What ever happened to Salem?


Still in the 90s

I can't seem to escape the 90s anymore. A couple of weeks ago I saw a terrific band  Chinese Handcuffs who had me flashing back to slowcore into post-rock Godspeed stylee. Then there is this bar I sometimes frequent and I swear the last 4 or 5 times I've dropped in they have been playing Afghan Wigs. Then there is hip hop which I hadn't listened to willingly for something like 15 years but after going back to Hardcore/Jungle etc. it made perfect sense to check out some of those gems from the 90s and even further back. You know before it all went a bit shit. I'm even gonna put some old DJ Shadow onto my I-Pod in a minute. I never thought I'd listen to those records ever again but listening to Wagon Christ the other day put me mind of this stuff. I was really diggin Throbbing Pouch, Wagon Christ's 90s classic. Still can't bring myself to put on Tricky or even other 90s faves Mouse On Mars. I guess it's only a matter of time.

I was nearly thinking of abandoning an end of year best of 2012 article which will be due soon but I've come out of my fear of the present and have started listening to recent LPs again. Artists might not be breaking much new ground but there is still some great shit out there worth listening to.

A picture from the park a couple of
weeks ago just because. Nice.

Wednesday, 21 November 2012

Posting Youtube Clips Is My Rage


I know I use the youtubes a little bit too much. Growing up as a kid in Australia though it has always been a dream (along with thousands of others I suspect) to one day programme Rage. Rage is an all night Music show on the ABC on Friday and Saturday nights. On Saturday night they have a guest programmer for the first 3 or 4 hours. Name any Australian band/artist or any international touring artist and chances are they've probably been a guest. The most memorable for me being Steve Kilbey in like 1992, Johnathon Donahue in the the late 90s, Michael Hutchence had a go and more recently filmmaker Richard Lowenstein was a fabulous guest. I've missed hundreds and probably some of them were probably my favourite bands/artists. Anyway I'm just playing Rage fantasy guest host a lot of the time.

*NOTE: Probably best not to play The Birthday Party's Nick The Stripper or Love Will Tear Us Apart by Joy Division as they get played every week. There's probably plenty of guest bits up on Youtube.


 

Post Remix

I've done an extended remix of my post on Information Overload from earlier this month. Check it out it's better, has more words and makes more sense.

Andy:"I'm not so sure space."
Edie:"C'mon Andy it'll be a hoot!"