Showing posts with label Hauntology. Show all posts
Showing posts with label Hauntology. Show all posts

Sunday 4 July 2021

The Assembled Minds - Dirty Workshop Magick


Mathew 'Patterned Air' Saunders released a bunch of stuff recently under his fabulous moniker The Assembled Minds onto bandcamp. I've known for a while that he's had a stack of unreleased material waiting around have I? I think I even told some people to sign him up or was that Position Normal? Perhaps both*. My influence can't be that far reaching though as Mathew has released these himself. Hey I gave it a go! Anyway after purchasing all the everything which is both old & new, I'm just stuck on the first digital album I put through the bluetooth speakers. 

That's this terrific compilation DIRTY WORKSHOP MAGICK. First of all: Best album title in the haunty-logic game since Mordant Music's Dead Air. This compilation contains tracks that The Assembled Minds contributed to other compilations over the last seven years. So we get six trax from 2015 to 2020. Assembled Minds came to CardroosManiac2 prominence in 2016 with their brilliant LP Creaking Haze & Other Rave Ghosts which was a Top 10 LP in my end of year list. The brilliant second track The Face In The Mirror Is Not Mine made my 2016 Top 5 tunes list. So if you're across the goodness of this fine music you're in luck here.

"...a half remembered misty rural rave among blurry faced dancers with only their teeth shining bright in a marsh that might not have even existed, where you never belonged. Suddenly your brain connected 'ardcore to the sinister/anodyne conjured by the brown British world of 70s homemade telly where Radiophonica was surreptitiously squished in. In this moment library theme tunes mutated into hardcore rave trax that weren't in this dimension but a possible world of parallels between raves. Seven buttered english muffin people hunted you until you arrived back in an urban town planning nightmare as the suburban lights glowed in the early AMs, comforted by the cars splashing by in the night rain. Feeling good that all this never happened except did it? It's all a dilapidated sound and vision but weren't your parents synthesiser robots? Who've now rusted into squeaky regressed babies. Now including the super soundz of helium voices incorporated with vague slowed down distressed monSTer tones? Were you ever anywhere? Is your brain just an experiment inside a chipped tea cup within a room where the windows have no outside? So wrap yourself up in a beautifully patterned 70s curtain, but hang on, it's just withering satanic wallpaper turning into the ashes of that fireman's suit you'd stolen from an unknown village's station. Weren't you going to wear that to a rural rave at a misty marsh as you couldn't find an actual train driver's outfit in time. There was a whistle in your pocket though... I'll come to you... " 
[This is an excerpt from Tim's Haunted Bollocks Fiction] 

Dirty Workshop Magick is a 6 piece sonic jigsaw. A transmission of shadows of music's former self from this dimension, I think.
  

*Unfortunately amnesia has crept into some of my memory zones so I'm not sure anymore what I thought I knew or whether I even did the things I thought I did. The scans are fine but that's about what it rules in now as opposed to what it rules out! As many less sinister things have recently been ruled out. Now that I think about it, that's very Haunty-Logical although it's definately (sic) not fun or awesome. It's frightening.   

Wednesday 31 January 2018

INXS Invented Hauntology by accident!


I was a kid into INXS and knew all their experimental B-sides but I'd never heard this one until today, I think.. Perhaps it wasn't the Australian B-side to The One Thing or maybe I've just totally forgotten about it...er maybe it's coming back to me. I think I just hated it so I rarely played it. Anyway I'm thinking Moon Wiring Club might dig this. INXS invented hauntology by accident in 1982.

Tuesday 16 January 2018

A Perspex Town



New music from Jon Brooks aka The Advisory Circle. Lovely stuff. This video and LP cover art are courtesy of Ian Hodgson from Moon Wiring Club. A Perspex Town is taken from Applied Music: Vol. 2 - Plastics Today. This is some kind of faux library music album which is released on Friday.


Saturday 7 November 2015

Tales From The Black Tangle - Howlround


Good old Robin The Fog is back under the Howlround moniker with a terrific new record Tales From The Black Tangle. This one is definitely heading further into the darkness. This LP is engulfed in fog. Foggy drones, foggy playgrounds, foggy cities, foggy horns, foggy radios, foggy sirens, foggy trains in foggy shipyards and foggy miscellaneous sounds all add to the foggy magnificence of this eerie little, shall we say, foggy gem. The foggiest record of the year. Thanks to Foggy Robin and his foggy friend. In a word Foggy.



I didn't think the video was dark or foggy enough, so i turned down the brightness to its lowest, changed the picture quality to its worst and slowed the music by half, fuck that was cool.

Friday 24 April 2015

On The Haunted Gramophone


Who can understand where your brain will go next with regards to what you are gong to listen to? I'm still really enjoying The Advisory Circle's excellent 2014 album From Out Here. Perhaps it's the best ever release on Ghostbox. It's definitely up there with The Focus Group's Hey Let Loose Your Love and Belbury Poly's The Willows in my book. I just wanna keep hearing it and I know I've already written about it a couple of times before but hey it keeps growing in my estimation. It's probably not very cool to be into GhostBox these days but I don't give a fuck. Hipsters can go and listen to their fka twiggles, shite z-grade house and whatever else.

Gesellschaft Zur Emanzipation Des Samples
Actually some other stuff from hauntological zones has had my attention also. I went back and had a listen to the G.E.S. album Circulations and fuck me, after having a reaction just a notch above lukewarm to it back in 2009, I'm starting to think this recording is one of the best in its field now. If you dig those first couple of Focus Group albums and haven't heard this you need to check it out. Circulations is a gloriously random sampleadelic collage and a mini-masterpiece. Apparently a couple years after this release G.E.S. did a second volume which passed me by but now I'm on the search for that.


Listening to that has in turn led me all the way back to 1999. Leyland Kirby's first release under The Caretaker pseudonym was issued in 1999 but I didn't hear it till the early 00s. Anyway those first 3 Caretaker albums Selected Memories From The Haunted Ballroom (99), A Stairway To The Stars (01) and We'll All Go Riding On A Rainbow (04) have had me captivated again. It's a bloody great concept ie. the haunted ballroom is The Gold Room in The Overlook Hotel in Stephen King's novel The Shining. They made a movie too that you may have seen, directed by a guy you may have heard of. Of course The Caretaker is named after the caretaker Jack Torrance from the aforementioned ghost story. Concepts are pretty meaningless though, unless the music is the goods. They're sometimes meaningless even when the music's expertly executed too. On this trilogy though music and concept are in sublime synchronicity. These records are perfectly out of time, sentimental, nostalgic, revenant, disorientating and even sometimes quite lovely. The Caretaker's secret is to keep it subtle and let the music insidiously haunt you. This trilogy is a magnificent achievement. The mood The Caretaker creates lingers on long after you've stopped listening and I find myself going back time and time again to experience the inexplicable feelings this music elicits (sorry couldn't bring myself to say uncanny Mr Fisher). The Caretaker is possibly the most artistically successful of anyone who has been cast as hauntological.

Finally this brings me to Actress. I didn't mind their R.I.P. record from 2012 and I thought 2010's Splazsh was quite ace. I never would have imagined they'd end up in such exhausted zones as those on last year's Ghettoville though. Darren Cunningham's exemplary arty electronic melange was always a restrained version of tech, house, garage and other club styles. I don't know if tunes from Splazsh or R.I.P. ever got played out but you felt like it was maybe possible with some of them. I can't imagine anything from Ghettoville getting a spin in a club though, unless its a disco at a funeral or a zombie rave. This is post-millennial electronic music that's broken down, malfunctioning and barely able to transmit through its frayed circuits which is not dissimilar in spirit to Mordant Music's requiem for rave Dead Air from 2006. Ghettoville feels like the final death notice for rave memorial services. I mean 'wake for rave' has become a sub-genre hasn't it? With the likes of Burial, Lee Gamble, Mordant Music, Leyland Kirby's V/VM et al. This could be the final death knell for the technoid future in ruins or is their further sonic depletion on the horizon?

Sunday 7 December 2014

The Advisory Circle - From Out Here



*
GhostBox seem to be releasing less and less. I think the last one I bought was early 2013's Elektrik Karousel by The Focus Group (We'll just forget about The Sound Carriers shall we). The Advisory Circle's From Out Here came out yesterday and well the sound of brown continues. The Mrs says "Someone playing with their Casio in 1983." She lived in a small seaside village in North Wales at the time. She adds while Escape Lane is playing "Lovely use of minor falls." During Causeway Ballet she offers "This is very soothing and gentle and somehow familiar." This LP isn't anywhere near as jaunty as their previous LP As The Crow Flies from 2011. We're heading into much stranger zones on From Out Here. For every melodic and idyllic tune there's a peculiar one. It wouldn't be an Advisory Circle album without a couple of logo tones would it? There are two here. Gee whizz, he's even in 'Ekoplekz for babies' territory on Experiment. While the usual hauntological themes are present and accounted for such as 70s TV, library music, eeriness, information films, found dialogue and Radiophonica, this album captures the stillness, innocuousness, melancholia and the metaphysics of being. I dunno if it's just me today (impending birthday) or what?...but this album has signalled to me like no other that we are trapped (even though it's fleeting) in time. Lost in a time-warp and vaguely bewildered. Zoloft world....

Speaking of great batting averages John Brooks, the man behind the moniker The Advisory Circle is almost up there with Moon Wiring Club's Ian Hodgson, his collaborator on the Woodbines & Spiders record from earlier this year. Whether Jon is in solo mode (The excellent Music For Thomas Carnacki, Music For Dieter Rams and Shapwick) under the pseudonyms D.D. Denham (The terrific Electronic Music In The Classroom), Georges Vert (An Electric Mind) or making Advisory Circle albums his strike rate is high. The intriguing debut Advisory Circle mini-album Mind How You Go came out in 2005 and the masterpiece Other Channels was released in 2008. Wow, Mind How You Go is nearly 10 years old. It seems so much older and yet it also seems more recent at the same time. Is this atemporal stasis? It's some kind of paradox befitting the music of The Advisory Circle anyway.


*These soundbite things on soundcloud are rather annoying aren't they? That's the first & last time I'll embed them in a post!

Moon Wiring Club - Leporine Pleasure Gardens


Does any other artist do the sound and vision combo better than Moon Wiring Club? Loving this tune, the film clip and the artwork as usual. This year it's a cd/LP set. Happy Xmas. Does anyone actually like mince pies? Now the wait. Will the parcel arrive in time for my end of year poll or Christmas for that matter? He's had a bloody good run hasn't he. I think of his output so far 7 of the 8 records have been true delights. That's a hell of a batting average though. Here's hoping he scores a century with this one.




I think this one is the LP cover

Sunday 22 June 2014

Caustic Window


From the new 'old' Caustic Window LP ie. it's from 94 and never got released. Makes you remember where a lot of your favourite music came from, doesn't it? Aphex Twin aka Richard D James aka Caustic Window had a great patch of, well, most of the 90s when he could do no wrong. This puts him back into historical perspective. Also Caustic Window is a great now album.

Fingertips.


Now this is a weird one it could have been made 5 years earlier (back then) with it's acid squelches and lovely piano riff but he puts this strange feeling over the top of it. Which gives the tune, that usually would have been upbeat, a melancholy vibe. Years ahead of Ratchet's 'downer euphoria' or Hauntological's uncanny zones. Can't finish post dog annoying me....

Thursday 19 June 2014

Oh Happy Day!



This turned up in the post today just after I'd been to the dentist and had a filling. It feels like I've been waiting for over a year for this to come out. Was Fisher trying to recreate old skool anticipation of pop culture with its delayed release? Can't wait to read this. Mark Fisher as K-Punk was one of the original music bloggers alongside Woebot, Gutterbreakz and Blissblog. I think out of all the Zero Books I've read this one has the most pages at a whopping 232!


Then I discovered this! Only been waiting 20 years. Aphex Twin's alter ego Caustic Window finally has this LP available to the public. I'm sure this was reviewed in Melody Maker in 93 or 94, but it never got released. It has since gained mythical status. Anyway here it is and man it sounds bloody good so far. I'm in the 90s now.

Friday 2 August 2013

Down To The Silver Sea - GASP! 01LP



This is a promo for a new compilation LP on the new Goephonic sub label Geophonic Audio System Productions which is the label run by the dude from Moon Wiring Club. This fantastic video is a collage artwork in its own right.  Looks good. More here.


Tuesday 4 December 2012

Bagpuss

Just discovered this tune. This one goes out to Emma, Holly & Belle. An old VHS found it's way into my life many years before the H-word. Is this Proto-Hauntological. What a weird kids show. Did Taid (is that how you spell it? I'm not up with my Welsh.) think Australian grandkids in the 90s would dig this? It's a classic and all but at the time of Teletubbies there was no contest. Bagpuss the show is what the Mrs would call brown. One day I'll get her to contribute to my blog to explain this theory. Actually when I first heard about the H word it made me think of her theory. Not necessarily a theory more of a feeling.


DJ Burnz
Bagpuss
199?

Sunday 21 October 2012

RE: Techstep

To listen or not to listen?

I got off the hardcore train before techstep it's true. There may be some good stuff I've missed and I'm lookin' at that No U Turn comp Torque thinkin 'Go on give it a go!' Anyway I couldn't get into stuff that followed either Speed Garage, 2 step, Grime and only really liked a couple of things in the Dubstep universe. I didn't hate Big Beat but that was hardly part of that hardcore lineage. I kept half an ear on the experimental side of things in the electronic world but even Mouse On Mars were makin crap by 2001. I didn't really get back into underground electronic music in a big way until Ghostbox and it's Hautological friends arrived in the mid 00s. Then the strange Hypnagogic stuff caught my ear and the new Kosmiche/Ambient skool. I don't really think I'll be delving into old school tracks of 2 step and Grime when their time comes back around though.

Sunday 7 October 2012

Energy Flash/Hauntology

Here is a quote from page 164 of Energy Flash: A Journey Through Rave & Dance Culture written by Simon Reynolds and originally published in 1998 but this is a 2012 edition.

'Imagine the theme music for a 50s Government film about Britain's new garden cities: serene, symmetrical, euphonious, evoking the socially engineered for a post war New Order.'

Here Mr Reynolds was referring to some of the music that Aphex Twin was making early in his career. I wonder if Boards Of Canada were reading this but didn't they already exist? or if the GhostBox crew were taking notes because it sounds like Simon Reynolds invented Hauntology 6 or 7 years ahead of its time, well the theory and subtext to it anyway. When I first heard BOC I thought shite they remind me a little of Seefeel & Aphex Twin, which to me was in no way a bad thing! I wonder if Simon is aware of this portentous quoted passage or realises his complicity in the entire idea/genre? I know he is a big fan of the whole thing and has scribbled many words on the topic via his blog and in an article for The Wire magazine many moons ago.